Sci-fi movies can help escape reality to better understand it.
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Using films like “The Matrix,” a sociology course examines how factors beyond our control shape the world we live in − in fact and in an imagined future.
Sources of culture and thought can be found in literature and art that was considered lowbrow.
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Science fiction can be thought of as a film negative of history – a back door into what used to worry people and what gave them hope.
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Jordan Prosser’s Big Time revels in the human drive to make art and forge connection, even in the most oppressive situations – and it whisks us along for the ride.
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From the teledactyl and the medical mantis to Zoom doctoring and beyond, scifi and real-world medical technology have developed hand in hand.
ChatGPT-4o and the films ‘Her’ and ‘Blade Runner 2049’ all pull from one another as they develop the concept of a virtual assistant.
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Science fiction and technological innovation feed off each other in an ongoing back-and-forth that can play out over decades.
Maxwell Jenkins, Nicolas Cage, and Jaeden Martell in Arcadian.
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Arcadian manages to be both highly derivative and also quite unusual. It is part thriller, part creature feature and part horror.
HAL, the mercurial supercomputer AI from Stanley Kubrick’s 2001: A Space Odyssey (1968).
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The prevailing human reaction to the idea of artificial intelligence has always been fear, revealed in the way film has portrayed our increasingly important relationship with AI over the years.
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Sci-fi master Ursula Le Guin always asked the question: what sort of world do you want to live in? In her masterpiece, The Dispossessed, she considers injustice and war through an alternative universe.
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The future is teased in the tenth film of the Apes franchise.
OpenAI executive Mira Murati launching GPT-4o.
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The ‘multimodal’ GTP-4o works with text, sound, images and video, all wrapped in a chatty interactive ‘personality’.
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The intriguing stories in Ceridwen Dovey’s Only the Astronauts bring obscure historical footnotes to life.
The three-body problem is a familiar puzzle in astrophysics.
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The Netflix series ‘3 Body Problem’ is based on Liu Cixin’s scifi novel that follows what happens to the alien residents of a planet that orbits two stars.
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Australian literature is a rich and largely untapped source of information about how Australians think about AI.
In 3 Body Problem, the character Ye Wenjie wrestles with the Fermi Paradox.
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We have joined a game which has been going on before our arrival, and the strategy that everyone has learned is to hide.
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A century before the Dune films became new classics of the genre, Fritz Lang was making epic fantasies that redefined cinema.
Benedict Wong as Da Shi in 3 Body Problem.
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3 Body Problem tells a story of survival, betrayal, and a relentless quest for human and alien coexistence.
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White saviourism is the paternalistic notion that white people are needed to “save” people of colour from their circumstances.
Oregon’s Umpqua Dunes inspired the desert planet Arrakis in Frank Herbert’s ‘Dune.’
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When Frank Herbert sat down in 1963 to start writing ‘Dune,’ he wasn’t thinking about how to leave Earth behind. He was thinking about how to save it.
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With an adaptation of Chinese bestseller The Three-Body Problem soon to air on Netflix, Josh Stenberg parses the novel and its many themes.
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Zimmer creates a sound world full of texture, personality and new timbral possibilities.