From Opera Australia, Sydney Chamber Orchestra and Carriageworks, Gilgamesh, is a visceral retelling of a story from a forgotten age, exploring ideas of love, tyranny and what it means to be human.
David Williamson’s newest play at the State Theatre Company South Australia takes us on board a ‘lifestyle cruise’ – or, to be blunter, a swingers cruise.
More than 50 participants gathered in Melaka, Malaysia, for the Melaka Art & Performance Festival – an exploration of butoh, trance and postmodern dance.
Raygun has forced us to focus on many aspects of dance that are often ignored in Australia, including the role of dance in communities and the politics of dance.
Dracula has always lived somewhere between the written word, screen projections and our fantasy lives. His story is tailor-made for Kip Williams’ adaptation.
Rising has great potential to transform the arts ecosystem in Melbourne. But this requires some deep consultation and consideration as it contemplates what the future holds.
Set in 1990s suburban Australia, The Exact Dimensions of Hell is a theatrical exploration that unflinchingly examines themes of teenage girls, desire and power.
The Sydney Theatre Company’s captivating revival of the 1975 play, co-produced with Dublin’s Gate Theatre, manages to balance the loathing and humour of Thomas Bernhard’s writing.
Angus Cerini’s Into the Shimmering World at the Sydney Theatre Company is an unforgiving and, frankly, bleak meditation on what it is to be good; what it is to live a good life.
Eamon Flack’s production captures well – and with a lovely, light touch – the sense of fleeting memories that are, nevertheless, still available to us.