Gratitude and praise are not only some of the most common themes in Christian music, but also some of the oldest.
Afrikaners in post-apartheid South Africa struggle with a historical sense of inferiority that reinforces their whiteness.
The Catalans have no trouble telling their story of oppression through culture. The Scots find it trickier.
One of the highlights of this year’s Edinburgh festival, the confusion and uncertainty in James Hogg’s classic is all too familiar to us.