Jianqing Chen, Arts & Sciences at Washington University in St. Louis
The design philosophy of the everything app WeChat may seem paradoxical, being simultaneously pervasive and inconspicuous. But this idea of “everythingness” goes back to ancient Taoist philosophy.
Online reading communities have been around for a while but none of them have captured the attention of readers, publishers and retailers quite like BookTok.
The #DatingStoryTime hashtag has transformed into a virtual stage where users narrate their dating experiences, a colourful tapestry of narratives that mirrors the complexities of modern romance.
The ‘no’ side is successfully engaging young people on TikTok by combining volume (posting multiple TikToks a day) with authenticity, use of personal narratives and humour.
For some viewers, the tinkling sound of breaking glass combined with the image of the bottle breaking are perceived as rather satisfying and even soothing.
Interactive artworks are frequently seen in Montréal’s public spaces, providing sensory interactions. While these installations are entertaining in some way, there is a certain monotony in them.
There’s more to NPC streaming than strange gimmicks. The rise of the trend showcases how gamer cultures and adult content make for lucrative bedfellows.
Even for people who regularly look to social media platforms for book recommendations, recommendations from friends, family members or colleagues are a main way of choosing what to read.
Deinfluencers prioritize genuine content and real engagement over the meticulously curated content and commercial partnerships that are common in traditional influencer culture.