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Articles on Van Gogh

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Camille Pissarro, French (born in the Danish West Indies) 1830–1903. Spring pasture, 1889. Oil on canvas, 60.0 x 73.7 cm. Museum of Fine Arts, Boston Deposited by the Trustees of the White Fund, Lawrence, Massachusetts Photography © Museum of Fine Arts, Boston. All Rights Reserved

An orgy of sunlight, colour and hedonism: the French Impressionists are an oasis in a gloomy Australia

The Museum of Fine Arts, Boston is the 14th largest gallery in the world, and now Melbourne can see some of its masterpieces.
Lighting causes damage to paintings over time. Juan Di Nella/Unsplash

How the right lighting could save the Mona Lisa

Researchers have found a way to reduce light damage to artworks by up to 47% by optimising LEDs to prevent light from being absorbed by the artwork.
Detail from Katsushika Hokusai, The great wave off Kanagawa (Kanagawa oki namiura), (1830–34), from the Thirty-six views of Mt Fuji (Fugaku-sanjū-rokkei) National Gallery of Victoria, Melbourne Felton Bequest, 1909 (426-2)

Friday essay: from the Great Wave to Starry Night, how a blue pigment changed the world

Hokusai’s Great Wave is the enduring image of Japanese art. Less well known is the story of its primary pigment - Prussian blue - which was created in a lab accident in Berlin and sparked ‘blue fever’ in Europe.

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