On Writing
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Woody Allen said it was “sad”. Quentin Tarantino said he needed to nurse his own “pain” and “emotions” about the revelations. Oliver Stone took it further – it was not just that he gave the nod to Woody…
Heather Rose has won the 2017 Stella Prize for her novel The Museum of Modern Love, a fictional exploration of the power of art to transform individual lives, written in exquisite prose, with rare and…
In an age of uncertainty, in which truth is apparently an illusion and all claims to authority are suspect, it is tempting to believe that a first person narrator telling their own story – in a style that…
Writers, over the last decade, have been waxing lyrical about the rise of the present tense in English fiction. But this morning I read something entirely new – for me, at least. I read a manuscript written…
Clementine Ford is no stranger to speaking out. This makes her a near-perfect poster person for the Stella’s schools program and their latest project Girls Write Up – a day-long wordfest and workshop for…
This week’s Sydney Writers’ Festival not only celebrates the art of writing, but the art of reading. Of course, it is difficult not to worry that this might be because the art of reading – that is, deep…
Charlotte Wood has won the fourth annual Stella Prize for The Natural Way of Things, a dark and dangerous book shot through with a kind of feminist rage that – after decades of anti-feminist backlash…
It is a truth universally acknowledged that the first sentence of a novel sets the tone. Our new column, On Writing, explores the wonderful world of opening lines: from Tolstoy to Elmore Leonard.