As we seek to reconnect after several summers without large, in-person gatherings, we reflect on the significant and often transformational role that music festivals play in our communities.
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Artículos sobre Music
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Legend has it that African Americans soldiers brought back a love of cognac after service in Europe in World War II. It’s a lovely story, but the history goes back much further.
The country’s creative and critical music culture will be substantially diminished if the university funding crisis hits any harder.
Hụi is a constant, seemingly invisible feature of diasporic life for many Vietnamese-Australians. We’re using it to buy back our cultural heritage.
Music therapy offers a flexible and accessible way of supporting wellbeing and addressing traumatic experiences.
Evolutionary geneticist Jenny Graves loves classical choral music, but grew tired of its biblical themes. So she set out to write an alternative based in science.
The arrival of Windrush brought new forms of music to Britain.
Taylor Swift will be performing three shows in Sydney and two in Melbourne – and tickets will be in high demand.
Engineer and producer Tony Cohen made an astonishing contribution to Australian recorded music in the 70s and 80s – working with acts like The Saints, Nick Cave’s various bands, and the Go-Betweens.
Hip-hop traveled far after being birthed by Black Americans in US cities. The journey hasn’t always been smooth.
Nights out dancing! How African and Caribbean music and dance have shaped British culture.
In social media posts during the pandemic, fans posit their idols as loyal to the nation, the people and the party state.
Greater representation in rap from LGBTQ artists comes as mainstream artists atone for past lyrics.
Latino artists have been forging their own paths in hip-hop for decades, giving voice to young peoples’ pain, faith and demands for change.
Composer Nicholas Britell festoons earnest Romantic music with sounds that gleefully desecrate it, underscoring the show’s emotional core: a lust for power joined by immense self-loathing.
Recent coments by ARIA CEO Annabelle Herd reveal a jarring discrepancy between our support for Australian musicians and our actual listening and spending habits.
From the first frame of the theme song, it is clear craft and imagination are deeply valued throughout the show’s entire soundtrack.
Her music can be found on dad rock compilations and on the set lists at drag nights.
The legendary singer has died at 83. Her performance practice exemplified fierce hard work.
Hip hop’s swaggering braggadocio acts as a counterpoint to the Roy family’s rarefied worlds of high finance and plutocratic untouchability.
Principales colaboradores
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Senior Lecturer in Popular and Contemporary Music, Newcastle University
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Head of School of Psychology and Speech Pathology, Curtin University
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Piano Performance Fellow, The University of Queensland
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Associate professor, Music Industry, RMIT University
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Senior Lecturer in Communication, University of Technology Sydney
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Associate Dean of Humanities and Social Sciences, University of Winchester
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Principal Fellow and Professor of Music, The University of Melbourne
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Senior Lecturer in Music, Southern Cross University
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Professor of Music, Australian Catholic University
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Senior Lecturer in Music, Newcastle University
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Senior Lecturer in Journalism, Monash University
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Deputy Head of School, Senior Lecturer in Piano and Musicology, School of Music, Australian National University
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Lecturer in Music, Queensland University of Technology
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Professor of Music, City, University of London
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Adjunct Senior Lecturer, School of Creative Practice, Queensland University of Technology
