As Australians commemorate the Anzacs who died at Gallipoli, spare a thought for the 10,000 French soldiers who also died on the Dardanelles in the first world war.
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Artículos sobre World War I
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In 1915 and 1916, the Ottoman Armenians were destroyed as an organised community and more than one million of their number were killed – just as the Allies’ failed invasion of Gallipoli took place.
Protests on Anzac Day, rather than being ‘utterly alien to Australians’, have a long tradition and embody the democratic right to dissent for which the troops fought.
We are used to thinking of Gaza as a war-torn stretch of ground. A place where life goes grimly on in the face of an intractable conflict. A graveyard not only for civilians caught in the crossfire, but…
There is a complicated story involving the Anzac legend and the left between the 1920s and the 1960s which historians have barely begun to untangle.
When Australian soldiers fought at Gallipoli, they did so under the Union Jack. Our flag has changed since then and debates about national identity have shifted. Is it now time for a new flag?
The democratic freedoms Australians hold dear today – freedom of the press, assembly and speech – were won on home soil by courageous women and men who sacrificed much, but rarely recognised for it.
Anzac Day is the one day of the year it’s legal to play two-up. If we want to retain the thrill that was so important to the diggers, we’d keep it illegal rather than sanitising the practice.
For contemporaries and later for historians, shell shock came to encapsulate all the horror of a new form of industrialised warfare.
Why did it take three-quarters of a century beyond the first world war for Australians to build our own tomb of the unknown soldier, remembering the 23,000 Australians who died with no known grave?
The appalling conditions at Gallipoli indicate the wholly inadequate planning and response of the British and Allied military authorities to basic human needs.
What is rare in Australia is an adequate explanation and understanding of the Turkish perspective of the Gallipoli campaign.
It was not the excitement but the seriousness of the first world war that captured the imaginations of Australians. The experience of 1915 had a marked effect on local commitment to winning the war.
War history used to be brought to TV audiences by donnish lecturers but historical reconstructions now hold sway. Two recent docos about Gallipoli are hybrid examples of the form that help us better understand the past.
Local loyalties, differences and antagonisms were everywhere affected and often amplified by the advent of the first world war.
The Australian War Memorial promises to tell ‘our story’ about the nation’s war experience – but it silences many stories about Australia’s nationhood and glosses over Indigenous experience.
More than 20 Australian women doctors defied official discouragement and served as surgeons and medical officers in the first world war.
Russell Crowe’s The Water Diviner has been criticised for its historical inaccuracies – but it shouldn’t be dismissed out of hand.
In late January 1945, Hungarian teenager Bart Stern hid in a pile of bodies to avoid being killed by the Nazis at Auschwitz. He survived, but not one of his friends escaped. Soon afterwards, the Red Army…
The ANZAC centenary will be full of symbols. After all, commemoration is cheaper than defence. ANZAC symbols, in particular, have an uncanny way of dismissing any doubts about defence policy and spending…
Principales colaboradores
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Professor, University of Leeds
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Principal Lecturer in History, Manchester Metropolitan University
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Senior Lecturer, School of Humanities and Social Sciences, Deakin University
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Chancellor's Professor of Medicine, Liberal Arts, and Philanthropy, Indiana University
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Professor of Economics, University of Warwick
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Senior Lecturer, School of History, Australian National University
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Associate Professor in Politics and International Relations, Monash University
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Assistant Professor, Design History and Theory, Vrije Universiteit Amsterdam
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Director, Australian National Dictionary Centre, Australian National University
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Research Professor in the Australian Centre for the Study of Armed Conflict and Society, UNSW Sydney
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Professor of Creative Arts, Griffith University
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Professor of Twentieth Century History, Goldsmiths, University of London
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Professor in Media and Communication, Goldsmiths, University of London
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Senior Lecturer in English, The Open University
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Reader in Modern History, Brunel University London
