Despite the diversity of art and performance on display at the tenth Ten Days on the Island festival, key themes emerge: life, death, and Tasmania’s colonial history.
Live performances account for more than 40 percent of their income, while profits from streaming and record sales amount to only 5 percent of their earnings.
If intelligently managed, festivals attract substantial numbers of LGBT tourists to regional and rural destinations, injecting additional income into the local economies.
Urban festivals built on community involvement can reinvigorate places and create a shared sense of place and purpose that lasts long after the event is over.
Fifty years of the Caribbean Carnival in Toronto has had a significant impact on Canada’s cultural institutions. It’s also helped educate Canadians about Black history.
Outside the capital cities and the coastal fringes, the towns and people of rural and regional Australia have had to be inventive to get through the tough times.
In creativity, skill and daring, the productions on offer embodied an energy and imagination comparable to, and at times exceeding, anything prestigious European-focused international festivals might present.
From a dancer moving against a wash of static, to a show that takes the audience hostage, Adelaide’s OzAsia Festival celebrates both high art and high energy performances.