The way streaming platforms operate is changing to tackle falling subscriptions due to the rising cost of living
L’expertise universitaire, l’exigence journalistique
Articles sur HBO
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The show is an accurate representation of how the yakuza see themselves and their culture.
Netflix’s subscription losses are a worrying shift for a business that had previously only seen sustained growth since 2011 – however there’s more nuance to the issue.
Euphoria tackles the status quo head on with an esthetic that transgresses the codes of television, while criticizing several taboos and social issues.
Often described as a sign of progressivism and gender equality, they’re neither.
What can we take away from this epic fail of a reboot as a society that continues to undervalue women and shun open discussions of age, class, race and sex?
With pricing flexibility, the ability to capture data on viewers and the promise of attracting new subscribers, film premieres on streaming services are a no-brainer for studio executives.
The Wire was a Greek tragedy, a novel and a bingeworthy social commentary.
The White Lotus is a tense, new drama about the lives of the rich and privileged, set in a Hawaiian resort. But the protagonists are not lying around reading airport novels.
Industry experts see the shift away from theatrical releases as a sign that Hollywood studios are embracing the inevitable future. But is it as simple as that?
As the Murdochs again hit the small screen in the documentary The Rise of the Murdoch Dynasty, it’s worth considering: what is our fascination with this family?
The Inventor: Out for Blood in Silicon Valley is compelling viewing – but why have there been more films about Steve Jobs alone in the past 30 years than about successful female entrepreneurs?
Netflix has added millions more subscribers as people practice social isolation to control the coronavirus. But service’s diverse menu of content is not an efficient business model.
Although some have dubbed the flurry of new video services coming out as a ‘streaming war,’ the reality is very different.
Movie studios are launching their own streaming apps but record labels aren’t about to do the same.
Most of the time, these operations were not urgent – unlike the one following this disaster that summoned some 600,000 people to the site of the worst nuclear accident of all time.
Although the universe of “Game of Thrones” evokes the medieval era, several key figures in the series are directly inspired by characters from Roman antiquity.
It’s tempting to go along with the notion of Daenerys as Mad Queen in Game of Thrones, but what if, instead Dany was the real heroine of the series, and Jon Snow the real heel?
We’ve watched the youngest Stark daughter grow from a tomboy to a trained killer. Now she’s come into her own.
For HBO, online piracy is not the huge issue it represents for the platforms that screen its content.
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Professor of Media Studies, Queensland University of Technology
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Professor of Strategy, King's College London
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Psychologist and Research Associate in the Department of Paediatrics, Monash University
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Senior Lecturer, School of Humanities, Griffith University
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Senior Lecturer in American Studies, University of Sydney
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Senior Lecturer in Anthropology, La Trobe University
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Professor, University of Sydney
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Associate Professor in Philosophy, Australian Catholic University
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Professor of Film and Screen Studies, University of Portsmouth
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Professor and Chair of Political Science, University of Vermont
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Associate Professor, School of Media and Communication, RMIT University
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PhD Candidate in English and Cultural Studies, The University of Western Australia
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Senior lecturer in Screen Media, Victoria University
