Sofia Coppola’s biopic is adapted from Priscilla Presley’s memoir and exposes the dark side of her marriage to Elvis Presley.
Academic rigour, journalistic flair
Articles on Film review
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With meticulous attention to food and how it is prepared, the film’s plot embraces simplicity.
Dawn of the Nugget has appealing new characters, emotional depth and distinctly British humour.
The Wrong Trousers introduced viewers to the endeavours of Feathers McGraw, a silent criminal mastermind penguin.
An oil-painted instant cult classic, the Game Awards nominees and more.
The powerful beauty of The Peasants comes from the setting of the film against famous Polish and European paintings.
After 2013’s The Wind Rises, Miyazaki spent ten years creating The Boy and the Heron, speculated to be his final film.
It’s a little too dark for small children and not funny enough.
New independent Aussie film Christmess is emotionally engrossing and satisfying in its combination of melancholy tinged with the vague outlines of hope.
New Australian film Monolith is a refreshingly high concept film, as opposed to the usual social realist and period dramas.
Arkie was created by illustrator Nathan Jurevicius 21 years ago. She has evolved into graphic novels, games, toys – and now an animated feature.
Set in the not-so-distant future, Foe poses questions about humanity and what it means to be human in the face of environmental collapse.
These are some of the most literal and faithful Roald Dahl adaptations ever put on screen.
In the US, where Fair Play is set, women didn’t gain the legal right to be members of the New York Stock Exchange until 1967.
Shayda is a powerful debut feature for Iranian-Australian filmmaker Noora Niasari.
The most distinctive aspect of Almodóvar’s film, beyond its acknowledgment of same-sex desire, is its focus on mid-life intimacy.
The stylish Oscar Wilde animation has a distinguished cast, including Stephen Fry and Hugh Laurie.
The most recent instalment in Kenneth Branagh’s Poirot franchise is not faithful to Agatha Christie’s work, but it is entertaining all the same.
In A Haunting in Venice, Kenneth Branagh continues cinema’s long tradition of adapting Christie through the lens of horror.
Loving portrait of an unrequited love and a cultural divide.
Top contributors
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Lecturer in Communications and Media, University of Notre Dame Australia
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Professor, Queensland University of Technology
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Senior Lecturer in Screen Studies, University of South Australia
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Postdoctoral Research Fellow, The University of Queensland
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Research Fellow, Robotics & AI, Queensland University of Technology
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PhD Candidate and Sessional Tutor, Screen and Cultural Studies, The University of Melbourne
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Honorary Professor, Edith Cowan University
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Associate Professor and Cinema and Screen Studies Discipline Leader, Swinburne University of Technology
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Lecturer in Media, University of Adelaide
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Professor, Indigenous Studies and Director of The Centre for Global Indigenous Futures, Macquarie University
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Research Fellow, La Trobe University
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Professor of Political Science, University of Connecticut
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Lecturer in Screen Media, University of the Sunshine Coast
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Adjunct associate, Flinders University
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Lecturer (casual) at Sydney College of the Arts; Adjunct Lecturer Auro University, University of Sydney
