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Artist Steven Shearer’s untitled billboard images of reclining and sleeping people were displayed as part of Capture Photography Festival in Vancouver but were soon removed due to complaints. (Dennis Ha)

Vancouver billboards by artist Steven Shearer evoked intimacy where people least expected it

Examining parallels between Steven Shearer's billboard images and religious figures of 17th century baroque art allow a consideration of how context is everything when it comes to reading images.
Dorrit Black, The Bridge, 1930. Oil on canvas on board, 60.0 x 81.0 cm. Bequest of the artist, 1951, Art Gallery of South Australia, Adelaide.

How our art museums finally opened their eyes to Australian women artists

Dorrit Black, Grace Cossington Smith and Grace Crowley were some of many talented modernist women artists. But only with the advent of second wave feminism in the 1970s was their work properly acknowledged.
Halfway to the light, halfway through the night 2010-14, by Jumaadi. © AGNSW, Felicity Jenkins

The Dobell Drawing Biennial: modestly staged, impressively rendered

The Dobell is a celebration of drawing. And the work in this year's show, from Noel McKenna's beautifully rendered drawings of dogs to Richard Lewer's depictions of states of mind – is first rate.
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Click here for art

That traditional monolith of culture, the museum, has begun to embrace the digital world. As a series of projects reveal, the possibilities are endless.
The marketing of Australian art largely remains a provincial exercise within a global art environment. Image: Sydney Contemporary Art Fair, 2015. AAP Image/NEWZULU/THINKING MEDIA

Friday essay: the art market is failing Australian artists

Despite rhetoric positioning Australia as a clever and creative country, its artists, particularly in the visual arts, are doing it tough, and things are progressing from bad to worse. Why is that?

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