Is Alexis Wright’s Praiseworthy the great Australian novel? Beejay Silcox, chair of the Stella Prize judging panel that selected it as this year’s winner, thinks it might be.
Melbourne writer Alex Skovron has been recognised with a national award at 75. Alongside his own work, Skovron’s quiet impact on poets and poetry in Melbourne has been immense.
The winners of the Prime Minister’s Literary Awards have been announced. The awards are contentious – but are fought over precisely because of their symbolic and enduring cultural function
As conversations about literary representation evolve, so does the Stella Prize. Five of the 12 authors on the tenth Stella Prize longlist are Indigenous, one is non-binary, and genre is in the mix.
Damon Galgut joins a distinguished line of South African authors, who are grappling with the complex dynamics of the country’s white community in their writing.
This separation or segregation of women’s writing should be understood as part of the patriarchal control of what and who matters – and, historically, women have not.
Bob Dylan is now a literary celebrity. And next week, the Booker Prize judges will anoint another. The tag is still chiefly attached to men but women authors shouldn’t despair: fame and good writing can be uneasy bedfellows.
Were there really no poets or novelists or essayists - no people who have spent their lives in the field of literature - considered Nobel-worthy? This nostalgic decision is discourteous to writers.
They should be our pre-eminent national writing prizes. Instead, these awards bob on the vast sea of daily politics, occasionally getting dumped by a breaker.