When, some eight or nine years ago, I began researching the responses of Australian and refugee theatre makers, filmmakers and writers to asylum seeker debates it was very easy to share the hopes for political…
In August 2012, I was invited by the Sydney Festival to work with Wesley Enoch, Artistic Director of Queensland Theatre Company, to assist in developing Black Diggers, currently playing as part of the…
The rules of Cadavre Exquis are basic. Four directors, each responsible for 15 minutes of material. Each brings one actor. This is the basis of Cadavre Exquis, a performance staged at Sydney’s Carriageworks…
There is speculation that the taiko drum was first used by soldiers in battle. At its best, Chi Udaka, currently playing at the Seymour Centre as part of the Sydney Festival, recalls the ritualised diffusing…
In the program notes to Pan Pan Theatre’s outstanding production of All That Fall at the Sydney Festival, critic Nicholas Johnson underlines Samuel Beckett’s well known opposition to having All That Fall…
An unnamed woman alone in an apartment conducts an increasingly panicked conversation on the telephone with the man she loves, but who has abandoned her for another. Her assumed fortitude gradually crumbles…
Super Discount – currently playing at Melbourne’s Malthouse Theatre – is the latest work by Geelong-based Back to Back Theatre company. The project launched to great critical acclaim at the Sydney Theatre…
On Saturday night, Andrew Upton’s production of Samuel Beckett’s Waiting for Godot opened at the Sydney Theatre Company (STC) – without provoking the executors of the Irish playwright’s estate to anger…
Who would have thought the Melbourne Theatre Company would get into bed with Andrew Bolt? The MTC’s new play The Heretic, which premieres on 17 May, tells the story of climate scientist Dr Diane Cassell…