Raw flour at the store still contains live microorganisms. And while cooking can kill the fungi, it doesn’t destroy any illness-causing mycotoxins that might be present.
Slime mould navigating a food grid.
Chris R. Reid/Macquarie University
Slime moulds feature throughout HBO’s The Last of Us. While they aren’t a true fungus, they do have a lot in common with zombies.
In the HBO series ‘The Last of Us,’ the parasitic fungus cordyeps mutates, and jumps from insects to humans and quickly spreads around the world, rendering its victims helpless to control their thoughts and actions.
(HBO)
While ‘The Last of Us’ is a dramatic projection of a deadly fungal outbreak, it is based, if not in reality, in logic. And it’s a reminder that fungal infections are growing more resistant.
As COVID-19 transitions from a pandemic to an endemic, apocalyptic science-fiction and zombie movies contain examples of how to adjust to the new normal.
In Blood Quantum, Indigenous survivors are immune to a plague that transforms others into zombies.
(Elevation Pictures)
Indigenous stories of survival in fictional post-apocalyptic landscapes draw from actual events and experiences. These stories preserve histories and the possibility of hope.
Zombies in horror are often a stand-in for our collective anxieties, manifesting our fears. All Of Us Are Dead continues this grand tradition.
Lights from police vehicles illuminate Pennsylvania Avenue in Washington, D.C., in the evening following the insurrection at the U.S. Capitol on Jan. 6 2021.
(AP Photo/Carolyn Kaster)
The popularity of zombie apocalyptic and post-apocalyptic narratives has emerged from some of the same economic and cultural currents that gave rise to Trump’s presidency.
Parasitic wasps are body-snatchers — if you’re an insect. But these much-maligned creatures have saved millions of human lives by controlling the spread of the cassava mealybug.
In myths and songs, Hairypeople were understood as human-like but uncivilised. Different responses to them in two Warlpiri communities show how colonisation has changed these monsters too.
It’s not a stretch to say asymptomatic spreaders unwittingly engage in zombielike behaviors.
gremlin via Getty Images
SARS-CoV-2 is much like a zombie virus. It interferes with normal sickness behavior and blocks pain, turning its victims into unsick spreaders of the virus.
Filmmaker George Romero at the premiere of ‘Survival of the Dead’ in 2010.
Ben Hider/Getty Images
Zombie TV shows are reboots with the same casts and locations. Seachange is the zombie virus’s latest victim but the zeitgeist has moved on and the show’s comic tone grates.
The real focus of end-of-days narratives isn’t the spectacle of collapse, but about what comes after and how it challenges our world view.
In Cargo, Martin Freeman plays Andy, a man who has to kill his wife after she turns into a zombie and travels across country with baby daughter Rosie on his back.
Addictive Pictures, Causeway Films, Head Gear Films
In Cargo, zombies roam Australia and Aboriginal people living off the land are best equipped to repel them. The first half hour is brilliant but the film becomes far less satisfying.