Two reports — from think tank A New Approach and ex-Grattan Institute director John Daley — say Australian art and culture hasn’t advocated for itself effectively. But we need to try something new.
The documentary by Dutch artist Renzo Martins is generating important debates today in the Democratic Republic of Congo as well as in Europe. Analysis of the stakes of a film that will be a milestone.
For a woman with brightly coloured hair and enormous earrings, Art Works host Namila Benson is adept at fading into the background and letting the artists do the talking.
Arts Minister Paul Fletcher has taken aim at what he calls a ‘cosy club’ of arts elites. But his claim of ‘unprecedented’ arts funding and a push for greater fairness don’t add up.
It’s a malleable mythos that has been adapted by kings and queens as well as artists and filmmakers.
Governments, universities and creative companies that have experienced growth in the pandemic should play a role in long-term collaborative strategies to support artists and small arts companies.
After Canadian painter Mary Riter Hamilton was rejected for service as a war artist because she was a woman, she trekked battlefields to create more than 320 works that recall the missing soldiers.
Works by eight artists in the Dobell Drawing Biennial draw on dreams, history and reality. But drawing has escaped the gallery and will scribe on despite less government support for the arts.
We interviewed Victorians working — or not working — in the arts during the pandemic lockdown to learn about their mental health. We found they are struggling.
Policy makers and arts sectors together need to reimagine how we might organize contracts, leverage networks and change supports to create more long-term opportunities for arts workers in Canada.
Washington, DC Mayor Muriel Bowser ordered ‘BLACK LIVES MATTER’ to be painted on a street near the White House. The act would have been considered vandalism had it not been done by city workers.
During COVID-19, boarded-up storefronts host various new types of inspirational, informational and decorative murals that should be read critically as representing political agendas for the future.
JobKeeper is designed for people with steady jobs. The arts don’t work that way.
An art historian uncovers the truth about Marthe Bonnard, for decades labelled as a jealous recluse with a neurotic need to bathe.
Images of wildfires are powerful, but can make climate catastrophe seem like something spectacular and distant. So some artists are focusing on the plants and bugs in our immediate surroundings.
‘The Life of Washington’ was painted in the 1930s by an artist who sought to upend a rosy narrative of US history. Now some are saying its images ‘traumatize’ viewers – and ought to be taken down.
If it is wrong to censure art or refuse to display it because of its content, how can it be right to shun it because of the behaviour of the artist?
On the 500th anniversary Leonardo’s death and in appreciation of his rich and varied contributions, how can our educational systems inspire the same imaginative qualities in students today?
When artificial intelligence systems try to behave like humans and make mistakes, they show their limits – but also their startling advances.
Many Renaissance-era masterworks depicted rape and sexual assault as erotic. Beginning in the 1970s, artists worked to redefine rape as a crime of aggression and act of female subjugation.