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Artikel-artikel mengenai Black Panther

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Afrofuturist’s work is rooted in the desire to transform the present for Black people. Here actor Mouna Traoré in ‘Brown Girl Begins’ (2017) directed by Sharon Lewis set in a post-apocalyptic version of Toronto. Urbansoul Inc

Afrofuturism and its possibility of elsewhere: The power of political imagination

Afrofuturist’s work is rooted in the desire to transform the present for Black people. To do so, they imagine a reality in which Black people are the agents of their own story, countering histories that discount and dismiss them.
A man photographs a mural of late actor Chadwick Boseman’s character T'Challa (Black Panther) from the 2018 film ‘Black Panther,’ on Sept. 8, 2020, in Los Angeles. (AP Photo/Chris Pizzello)

Why Chadwick Boseman is more of a hero than Hollywood’s Black Panther

Unlike the Hollywood hero he portrayed, Boseman created space for a kaleidoscope of Black masculinities and challenged the narrative that urban Black men are in need of saving.
Actors Laura Harrier and John David Washington humorously and believably drive home the film’s strong racial irony.

‘BlacKkKlansman’ – a deadly serious comedy

BlacKkKlansman is more than a good story: it expertly weaves together comedy with serious drama to bring the story of past racism to illuminate our present day issues.
Killmonger, the evil villain of ‘Black Panther,’ has plans of global insurgencies to liberate Black people. (Marvel/Disney)

‘Black Panther’ villain can teach us about revolutionary history

The lead villain of Black Panther is a complex character who represents years of conflicting debates among African American leaders about how to achieve Black liberation.
Chadwick Boseman (T'Challa ) and Lupita Nyong'o (Nakia) in Black Panther (2018). In the film, natural hair is used as a social identifier. Marvel Studios, Walt Disney Pictures

The politics of black hair: an Australian perspective

Stigma about black or African hair reflects deep-seated politics around race and history.

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