Tidelands, is a speculative story about half-human/half-siren beings who live in the coastal Queensland town of Orphelin Bay. Unfortunately, it is not always a success.
Recent rumours of Apu’s demise may be exaggerated but his presence has been slowly written out of ‘The Simpsons,’ and many feel it is time for the stereotyped Indian-American character to go.
While the figures may seem alarming, we should remember that, unlike free-to-air TV, subscription video-on-demand services are not regulated for local content.
While thousands have called for the show to be cancelled, Insatiable actually does a good job of depicting the complex nature of disordered eating, sexuality and female pleasure.
With nostalgic flashbacks, epic training montages and most of the original cast, Cobra Kai is faithful to the Karate Kid film – all while delivering cutting-edge contemporary social commentary.
Buffy the Vampire Slayer, a cult classic, was a series with a diversity problem. News of a new season provides an opportunity for a different kind of storytelling.
Dead Lucky tackles issues around worker exploitation, gambling, international students and domestic violence. But it is let down by underdeveloped characters.
Ninja Warrior is the latest attempt to appropriate an ancient artform for a mass audience. But the ancient ninja moved in silence. Anonymous, he never bothered to develop signature dance moves.
The ABC’s reality TV show Everyone’s A Critic puts ‘everyday’ Australians in galleries. It is a compelling premise for an art show, but a tad disappointing.
A scholar of the media business tries to make sense of the flurry of merger news lately, and why the contested tie-up between AT&T and Time Warner will profoundly reshape the American media landscape.
RuPaul’s Drag Race, now in its tenth season, is an extraordinary success. But the show valorises a specific form of masculinity and is still grappling with a rapidly changing discourse around gender.