Islamic art in Australia is inaccessible and largely overlooked. It is rarely taught as a dedicated subject in Australian universities, and almost never seen beyond state capitals. Why?
Disiplin ilmiah, gaya jurnalistik
Artikel-artikel mengenai Visual art
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Artists and satirists have long played around with currency. With fiscal uncertainty only on the up, artsy cash is becoming more and more prevalent.
Nigel Milsom has won the 2015 Archibald Prize for his portrait of barrister Charles Waterstreet. It’s clear the regime of the Archibald Prize is quickly, and positively, shifting.
ST Gill may be the quintessential Australian colonial artist, yet he has never been the subject of a comprehensive retrospective exhibition. At least, not until now.
Latin America might have found itself on the dark side of the “digital divide” over the last 20 years or so, but this hasn’t impeded the development of digital arts there.
Bondi’s highly popular Sculpture by the Sea has set up shop in Denmark – and the Aarhus event has proved to be an astonishing and very different success to its predecessor.
France’s paradoxical relationship with provocative artworks has, again, come to the fore.
How did the bulk of those at home in Britain find out the news of Waterloo?
The gallery’s latest blockbuster actively blinkers knowledge of the past.
Stanley Donwood has been designing Radiohead’s artwork since 1994. Ahead of his retrospective at Sydney’s Carriageworks this month, we consider the role of art in creating a band’s visual identity.
Sarah Lucas’s show is a (resolutely cheerful) cry of frustration at the overwhelmingly male exhibition history of the British Pavilion.
Interpretations of Paul the apostle’s texts provided the basic fund of imagery that continues to inform popular opinion about what Christians mean when they talk about “heaven”, or “hell”.
Now that the painting is probably to disappear from public view, hopefully we won’t remember it in pixellated format.
Okwui Enwezor’s central show delivers an undisguised history lesson about Venice’s past.
John Wolseley’s exhibition Heartlands and Headwaters, which opened last month at the National Gallery of Victoria, may be the most important exhibition about art and the environment to be held in Australia for a generation.
It hovers uneasily between being a fine-art exhibition showing the diversity and sheer visual and sociocultural potency of contemporary Australian visual art practice, and an older-style ethnographic survey.
Brisbane’s Gallery of Modern Art is hosting the exhibition, David Lynch: Between Two Worlds, until June 7. It’s an opportunity to explore the connections between all the elements of Lynch’s artistic output.
Gordon Shrigley is running for election with nothing to offer ‘but offer itself’ – Lois Rowe met up him to discuss.
The latest exhibition of photographer Ian North’s work, Antarctica 1915, demonstrates his uncanny ability to tap into the zeitgeist of our socially fractured and culturally fragmented times.
The selfie has become an inescapable element of most cultural activities – be it art galleries or music festivals.
Kontributor teratas
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Joanna Mendelssohn adalah Sahabat The Conversation.Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne
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Honorary Professor, Edith Cowan University
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Adjunct Professor of Art History, Australian National University
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Professor in Art, Curtin University
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Senior Lecturer of art history, Griffith University
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Senior Industry Fellow, RMIT University
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Honorary Senior Lecturer, Australian National University
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Honorary Lecturer, School of Literature, Languages and Linguistics, Australian National University
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Author and Research Fellow, UNSW Sydney
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Emerita Professor, Art History and Curatorship, University of Adelaide
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Associate Professor at UNSW Art & Design, UNSW Sydney
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Senior Research Fellow, Victorian College of the Arts, The University of Melbourne
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Visiting Researcher in Journalism, Media and Cultural Studies, Cardiff University
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Lecturer in Interdisciplinary Creative Practice, University of Tasmania
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Lecturer in Screen and Cultural Studies, The University of Melbourne
