The ‘queer gaze’ is presenting a new and alternative reading for art of the past and of the present.
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Sebastian Goldspink’s 2022 Adelaide Biennial of Australian Art: Free/State is a conceptual riposte to this colonial settler history, and much more.
This new exhibition at the Heide Museum of Modern Art traces the themes of Nolan’s expansive and prolific career.
Vivienne Binns burst on to the art scene in 1967 – and she has been making art her own way ever since.
Bark painting in Yirrkala is a tradition of antiquity – but it is constantly reinvented, as this stunning exhibition of contemporary women’s work attests.
Jeffrey Smart is admired for his carefully structured paintings of Tuscany and Rome. This National Gallery of Australia’s centenary celebration of his birth takes the viewer back to Adelaide.
This exhibition highlights the diversity and range of artistic practices across the Asia Pacific region.
Matisse: Life & Spirit is a celebration of the creativity of the master of colour.
Eucalyptusdom is a testament to the utilitarian and cultural life of a remarkable tree.
The retrospective of McCartney’s work at the Ballarat International Foto Biennale shows an artist interested in connection and intimacy.
Wilam Biik (Home Country) at TarraWarra offers a different way to look at Country. Not by the roads we travel, but by the relationships embedded in it.
This exhibition is Australian art at its best.
A new exhibition featuring works by16 women artists who share backgrounds in Islam is a tour de force.
A new exhibition at Flinders University Art Gallery highlights Barbara Hanrahan’s sensory spirit, celebrating nature and unbinding social constriction.
The Museum of Fine Arts, Boston is the 14th largest gallery in the world, and now Melbourne can see some of its masterpieces.
Australian surrealism has long been understood as if it was imported from Paris. This new exhibition places two Czech-Australian émigrés at the heart of the movement.
None of us are going to be able to travel with ease to New York any time soon but this exhibition showcases the quality and depth of the Metropolitan Museum of Art’s collection.
The once secret paintings of Hilma af Klint are a revelation both for their beauty and for highlighting the impact of spiritualism on how artists see the world.
It takes time and money to create large scale sculptures. A new exhibition of works in cast concrete is testament to a remarkable philanthropic project.
Born in 1943, photographer William Yang has spoken of having to ‘come out’ twice: first as a gay man and secondly in search of his Chinese identity. A new exhibition marks his career.
Kontributor teratas
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Adjunct Professor of Art History, Australian National University
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Joanna Mendelssohn adalah Sahabat The Conversation.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne
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Emerita Professor, Art History and Curatorship, University of Adelaide
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Senior Lecturer of art history, Griffith University
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Senior Industry Fellow, RMIT University
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Senior Research Fellow, Victorian College of the Arts, The University of Melbourne
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Honorary Professor, Edith Cowan University
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Author and Research Fellow, UNSW Sydney
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Distinguished Professor of Design History, UTS, University of Technology Sydney
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Professor & Dean, School of Media and Communication, RMIT University
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Associate Professor, RMIT University
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Ruth Coulter Heede Professor of Art History, Case Western Reserve University
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Associate Professor Visual Communication, University of Technology Sydney
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Lecturer - Visual Arts, University of Wollongong
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Professor of Performance and Visual Culture, Head of School of Art and Design, UNSW Sydney
