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Crowds flock to the Museum of Old and New Art in Hobart, Tasmania, as much for its unique architectural spaces as its exhibitions. Sam Granleese

Inside out: museum architecture rivals exhibitions for pulling power

Only a quarter of a century ago, art museums in Australia were generally thought of as stately enterprises authoritatively disseminating knowledge of high culture to respectful devotees. That was reflected…
The Museum of Old and New Art isn’t the be-all and end-all. Brett Boardman/AAP

Hail MONA! But what about the rest of Tasmanian art?

Another article about Hobart popped up in my Facebook feed recently. Writing about MONA (Museum of Old and New Art), the author used the all-too-familiar phrase: “Tasmania’s cultural renaissance.” “The…
Typefaces impose mood, emotion, attitude, formality and informality. arnoKath

Beyond words: how fonts make us feel

Typography is all around us. Fonts are on every document and website we read but also within the ephemera of our lives: on the toothpaste we use, newspapers we read, bus tickets we swipe and the streets…
Does the art critic speak for the broader public, for the artist or the connoisseur?

The critical friend: for whom does the art critic speak?

The contemporary art critic cannot say with certainty whether something is good or bad. What good criticism does today is to help the public “see” the artwork. It does not explain and close down meaning…

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