Stefan Hanß

I am an early modern historian working on material culture, cultural encounters, and global history. In September 2023, I will start as Deputy Director and Scientific Lead of the John Rylands Research Institute.

I explore new interdisciplinary collaborations between the humanities and the sciences, and new methodological trajectories in material culture studies like the use of digital microscopes and scientific analysis, remaking experiments, and historians' collaboration with artisans and artists. I was awarded a British Academy Rising Star Engagement Award to organise Microscopic Records, and a Philip Leverhulme Prize in recognition of research achievements in early modern material culture studies and global history.

As the research group leader of The Bodies, Emotions and Material Culture Collective, I co-organise Affective Artefacts and run The Manchester Material Culture Lab reading group.

Before joining the University of Manchester in 2018, I held postdoctoral positions at the University of Cambridge and the Research Centre Gotha, University of Erfurt. I received the PhD from the Freie Universität Berlin and studied in Berlin, Venice, and at the Warburg Institute London. I was also an intern and research assistant at the Freie Universität Berlin, the Duchess Anna Amalia Library Weimar, and the German Historical Institutes in Rome and London.

My current monograph project focuses on the history of hair in Reformation Germany and the broader Habsburg world. I explore what it meant to live in a 'hair-literate society', and how hair was linked to early modern identities. My History Workshop Journal article examines Habsburg and Ottoman captives' descriptions of forced hair removal in the early modern Mediterranean and their societal, religious, medical, and sexual meanings. Bringing gender history, the history of the body, and art history into a conversation with material culture studies, my Gender & History article argues that the sudden fashionability of beards in Renaissance Europe has been intricately linked with a culture of material and visual experimentation. Focusing on how people made hair matter, I suggest working with the concept of face-work. I also published on haircare and hair dyeing in early modern Germany, and run an interdisciplinary research project to conduct scientific analysis of early modern haircare recipes.