Many artists are expected to organise their own ticket sales and event promotion. This is coupled with low pay from venues and having to juggle music with other full-time jobs.
Sarah Thomasson, Te Herenga Waka — Victoria University of Wellington
The survival of the Edinburgh International Festival, and others like it around the world, is testament to ingenuity of organisers and performers. But there’s no substitute for the live experience.
Artists are some of the poorest people in our community, and yet are prepared to forgo their limited income to support fellow artists from other countries – in this case Palestine.
Brian Long, The University of Melbourne and Guy Morrow, The University of Melbourne
Melbourne’s snap-lockdown proves festivals are still vulnerable. If the government doesn’t provide insurance, arts organisations may decide it’s not worth the risk.