Across the program, I was struck by how it was often more in the act of putting on and performing the work, rather than their spoken content, that expressed political responses to our times.
Dr George Ian Ogilvie Duncan was murdered at a gay ‘beat’ in the 1970s. His death was instrumental in South Australia’s decriminalisation of male homosexual acts.
Neil Armfield’s production of the Benjamin Britten opera is a triumph of sure-footed direction, subtle vocal shadings, brilliant comic timing and orchestral precision.
Vivaldi’s Farnace is a masterpiece of 17th century opera, but has been largely forgotten. This new production is the best revival production by Pinchgut Opera yet.
A world premiere performance of a new Australian opera is an exhilarating experience. But the music in this reworking of the Peter Carey novel underwhelmed.
A new opera focuses more on the personal life of artist Brett Whiteley than his artistic creations. As the opera reveals, a life like Whiteley’s does not offer a clear moral message.
If The Return of Ulysses is not Monteverdi’s most inspired creation, it is close to it. And Pinchgut Opera’s premiere may have been the first time this wonderful work was presented professionally in Australia.
Gioachino Rossini’s opera was originally meant as a satire of royalist France. A new production updates the work for a modern audience, setting the drama in a museum where the paintings come to life.
The Australian premiere of La Passion de Simone uses multiple voices to tell a story about philosopher Simone Weil. But the work lacks the emotional drama of its subject’s life.
Die Meistersinger von Nürnberg (The Mastersingers of Nuremburg) is a long, complex work. An ensemble performance by Opera Australia transports Wagner’s 16th-century guild of mastersingers to a modern-day men’s club.
Australian operas have been written about many pressing topics - from the Stolen Generations to the Lindy Chamberlain case - but few have been staged a second time. What is going wrong?
A new opera explores the story of five girls who believed that debris from the World Trade Centre was lodged in their throats after the September 11 terrorist attacks.
Neil Armfield’s production of the Brett Dean opera Hamlet is a confronting three hours in the theatre, but then so is Shakespeare’s play. The second act is devastating in its emotional impact.