From the Intercolonial Exhibition in 1866 to a landmark show, a century later, in which Aboriginal photographers displayed their works, photography has shaped the nation.
Born in 1943, photographer William Yang has spoken of having to ‘come out’ twice: first as a gay man and secondly in search of his Chinese identity. A new exhibition marks his career.
William Yang has, maybe more than anyone else, shaped Sydney’s view of itself. A new book, William Yang: Stories of Love and Death, collects his iconic photographs, with scrawled annotations.
Honorary Associate Professor, School of Art and Design, Research School of Humanities and the Arts, College of Arts and Social Sciences, Australian National University