Afrofuturist’s work is rooted in the desire to transform the present for Black people. Here actor Mouna Traoré in ‘Brown Girl Begins’ (2017) directed by Sharon Lewis set in a post-apocalyptic version of Toronto.
Afrofuturist’s work is rooted in the desire to transform the present for Black people. To do so, they imagine a reality in which Black people are the agents of their own story, countering histories that discount and dismiss them.
Western critics hailed the 1952 book as a great work of African fantasy. In fact it’s better understood as a pioneering work of African science fiction.
Artist Joi T. Arcand explains ‘Never Surrender,’ ‘translates a …1980s Canadian pop song into the Cree language and recontextualiz[es] the lyrics as an anthem of Indigenous sovereignty.’ Here, the image layered over a photo of a Winnipeg sidewalk.
Both the COVID-19 pandemic and urgent debates around public heritage and monuments shape how Nuit Blanche Toronto is seeking to engage artists and viewers in remapping cities.
Afrofuturism, like the kind seen in Marvel’s Black Panther, allows Black people to imagine themselves into the future.
Afrofuturism allows Black people to not only imagine their distant futures but also how to survive the anti-Black present.
Saxophonist Kamasi Washington will be performing at the 2017 Cape Town International Jazz Festival.
Something really magical is happening at the intersection between jazz and hip-hop at the moment. Many of the artists involved will be playing at Africa’s foremost jazz festival.
The cover of Childish Gambino’s album ‘Awaken my love’.
In a gloomy year filled, a number of artists with an Afrofuturist perspective gave hope with inspired works of art.
The cover of Ray Lema’s album, ‘Nangadeef’.
The Congolese album ‘Nangadeef’ remains largely unexplored, despite its genius. As a rich repository of Afrofuturistic data, it deserves to be delved into by lovers of African art.