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Articles on Australian art

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Tom Roberts is an iconic Australian artist. Who does that icon represent? Opening of the first parliament of the Commonwealth of Australia, 9 May 1901, Tom Roberts, 1903. Courtesy of the NGA.

Tom Roberts anyone? A national survey finds the line in art appreciation

Is the National Gallery of Australia’s exhibition of Tom Roberts’ really ‘for all Australians’? A recent national survey finds a racial divide in Australian art appreciation.
Khayamiya or Egyptian Tentmaker Applique provides a memorable introduction to Islamic art. Photo by Timothy Crutchett Charles Sturt University

The invisibility of Islamic art in Australia

Islamic art in Australia is inaccessible and largely overlooked. It is rarely taught as a dedicated subject in Australian universities, and almost never seen beyond state capitals. Why?
Shell Necklace, Displayed at the Great Exhibition, London, 1851. Maireener shell and fibre. Oyster Cove, Tasmania, before 1851 © The Trustees of the British Museum.

Indigenous Australia: Enduring Civilisation is a challenge to review

It hovers uneasily between being a fine-art exhibition showing the diversity and sheer visual and sociocultural potency of contemporary Australian visual art practice, and an older-style ethnographic survey.
Saulal by Dennis Nona won the 27th Telstra National Aboriginal and Torres Strait Art Award. Dennis Nona/Aboriginal Art Network

We’ve scrubbed Dennis Nona’s art from our galleries to our cost

Indigenous artist Dennis Nona is currently serving a jail term for serious crimes. Should the work of the most significant artist to have emerged from the Torres Strait in the last 50 years be removed from gallery walls?
In Crystal Romeo, artist Técha Noble presents a diverse body of work: etchings, experimental projections and costume, brought together by her own sophisticated version of camp aesthetics. Alex Davies

Técha Noble’s Crystal Romeo negotiates the camp in Australian landscape art

The work of Norman Lindsay is a starting point for Techa Noble’s camp challenges to the traditional modes of representing the Australian landscape.
One of the major works on display in The Photograph and Australia at the Art Gallery of NSW, Tracey Moffatt’s I made a camera (2003). Photolithograph. Collection of the artist. © Tracey Moffatt, courtesy Roslyn Oxley9 Gallery, Sydney. Art Gallery of NSW.

The Photograph and Australia: the curator and the exhibition

A major photography retrospective opened at the Art Gallery of NSW on the weekend, but what does The Photograph and Australia tell us about our present and past?
Gladwell’s work will be displayed at the art school where he earned his Masters degree and the gallery where he was first represented. Untitled – Murramarang Plank, 2014. Photo: Lucille Gladwell

Shaun Gladwell is returning to Sydney, and may not shed tears

With two exhibitions opening in Sydney this week, Shaun Gladwell is returning home, with a star still in the ascendant.
A recent book of Brett Whiteley’s drawings reveals his extraordinary talents as a draughtsman. Wendy sleeping (1973). Pen, brush and brown ink. 29.9x33.4 cm. Brett Whiteley Estate © Wendy Whiteley. Beagle Press

Brett Whiteley’s drawings reveal the artist as a master draughtsman

Some 23 years after his death, Australian artist Brett Whitely’s vision continues to have resonance and will likely remain a defining representation of late 20th century Australia.
On the western edge of the continent there is a great deal to get the juices flowing. Carnie Lewis

Western Australian artists see things differently

What is the future of Australia’s wealthiest state? The Conversation, in conjunction with Griffith REVIEW and Curtin University, is publishing a series of articles exploring the unique issues facing Western…
What mechanisms separate the art pantheon of Australia from the also-rans? AAP Image/Sergio Dionisio

How hierarchies happen in contemporary Australian art

There are about 30,000 professional practicing visual artists in Australia today (see note). By professional, I mean exhibiting regularly in recognised commercial or public galleries and represented in…
The winner of this year’s McLelland Prize, Matthew Harding’s Void (2014). Stainless steel, 650.0 x 800.0 x 260.0 McLelland Prize

Sculpture in the bush: a strong year for the McLelland Prize

In Australia’s somewhat subdued public sculpture scene, the McClelland Sculpture Survey – which runs until July 19, 2015 – provides a rare opportunity for witnessing contemporary public sculpture. This…
Artists Dianne Ungukalpi Golding, Eunice Yunurupa Porter, Nancy Jackson, Winnie Woods and Melva Davies at Tjanpi Desert Weavers workshop, Warakurna, April 2011. Photo Jo Foster, Tjanpi Desert Weavers, NPY Women’s Council

The Tjanpi Desert Weavers show us that traditional craft is art

For over a thousand generations Aboriginal people made no distinction between art and craft. Art was, and still is, a way of life and as much about function as it is about beauty and form. Artistic forms…
Self-taught artist Stan Hopewell in his studio. Photo: Frances Andrijich

Stan Hopewell – an artist facing the stars and reaching the unknown

This is an edited extract from Ted Snell’s book, Stan Hopewell: Facing the Stars. This is a love story! It is the story of Stan Hopewell and his beloved wife Joyce, a couple whose lives intertwined during…
Torbay (1957) is on display at the Art Gallery of Western Australia in the first major retrospective of the neglected artist for 35 years. © Susanna Grey-Smith and Mark Grey-Smith Art Gallery of Western Australia

Why are Western Australian art and artists invisible?

The recent television series The Art of Australia presented by Edmund Capon, and its counterpart Hannah Gadsby’s OZ, offered a blinkered view of Australian art practice that ended at the 129th meridian…

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