It may be the greatest robbery you’ve never heard of. In 1990 thieves stole US$200 million worth of art from a Boston gallery. A new Netflix series seeks to find the culprits.
A new documentary follows a group of young Australian climate activists, loosely weaving their fresh protests with historical events. It’s powerful, if a little too polite.
In the age of fake news and deep fake videos, how can documentary making be used for research and other purposes that demand authenticity and credibility?
The Inventor: Out for Blood in Silicon Valley is compelling viewing – but why have there been more films about Steve Jobs alone in the past 30 years than about successful female entrepreneurs?
Two dramatic narratives arc through this documentary that marks 20 years since Cathy Freeman’s Olympic triumph: her reflections as an elite athlete, and our experience as a nation of spectators.
Two ABC television premieres – both about the mid-century British nuclear testing at Maralinga in regional South Australia – approach tricky territory in very different ways.
Even though a Crave produced film has become the first ever Canadian documentary to open TIFF, video streaming services like Netflix raises challenges for filmmakers looking for domestic audiences.
Beloved film director Agnès Varda died at age 90, on March 29th. She was a pioneer of French New Wave cinema and admired for her ability to understand time and see beauty outside of mechanical norms.
Zanny Begg’s film The Beehive, about the 1975 murder of Juanita Nielsen, dismantles the idea that documentaries can impart unequivocal knowledge about the world.
In the 1800s, a group of Southeast Asians were taken to the Cocos (Keeling) Islands, now part of Australia, by an English merchant. Their descendants are seeking Indigenous status from Australia.
Planet Earth II Live fuses footage from the BBC series with live orchestration. Despite some narrative flaws, it’s a stirring call to look after our environment.