Protests seem contagious when they erupt in several countries at the same time. But new research shows that unrest rarely spreads. It’s protest symbols, like France’s yellow vests, that go global.
This year, The Conversation celebrated the 50th anniversary of 1968 with its first podcast, ‘Heat and Light.’ These are some of the most interesting stories we uncovered – ones that still resonate in 2018.
A populist movement that threatened to topple a French government more than 60 years ago has important lessons for today’s protests and why they represent a reckoning.
Strikes and rallies have gripped Colombia for months. That’s bad news for its new government but a sign of progress in a country that had little tolerance for dissent during its 52-year civil war.
Government remains the major funder of universities. But it hasn’t met its obligations even though many institutions face serious infrastructure decay.
Nicaraguan migrants send over US$1 billion home each year. This money has played a changing role in domestic politics – first boosting the Ortega regime and, now, sustaining the uprising against him.
Today’s urban public spaces tend to represent governments and cities rather than people and citizens. Architects and urban designers should contribute to shaping spaces for freedom and interaction.
1968 is often remembered as a time when protest galvanized the left. But it was also the year that Richard Nixon won the White House — which Republicans would control for most of the next two decades.
As Iran struggles under another round of international sanctions, a widening social gap is putting President Hassan Rouhani’s government under pressure.
Fifty years ago, students rose up against authoritarian governments, racial inequality and, most passionately, the war in Vietnam. Two historians reflect on those momentous days in 1968 – and discuss what current movements learn from them.
Technology companies have immense power over our lives. But why are so many of their employees and others concerned about the ethics of their behaviour?
Trump Baby is the latest in a long history of visual protests. But is this ‘cheap shot street theatre’ truly effective, or should we ask more of protest artists?