The artist in his studio.
Photo courtesy Richard Mudariki
Harare aims to join a growing list of African cities hosting high profile events to sell local art and bolster artists.
The Art Market 2020 report reveals the global art market was worth US$64.1 billion in 2019. But with cancelled art fairs in Hong Kong, Paris, Berlin and Dubai, what does 2020 hold for the market?
An installation view of Vivian Gallery’s stand at Auckland Art Fair.
Embarrassed directors of well-established commercial art galleries will quietly confess that often they scarcely get more than a dozen visitors a day. Can art fairs help fill the void?
Local residents holding Chinese and Olympic flags attend a rehearsal in Chongli county of Zhangjiakou ahead of the 2008 Olympic Games in Beijing.
Sporting extravaganzas are a way for globalising cities in emerging market economies to try and play the “modernity game”. But they don’t make the rules, and so they can never “win”.
The marketing of Australian art largely remains a provincial exercise within a global art environment.
Image: Sydney Contemporary Art Fair, 2015. AAP Image/NEWZULU/THINKING MEDIA
Despite rhetoric positioning Australia as a clever and creative country, its artists, particularly in the visual arts, are doing it tough, and things are progressing from bad to worse. Why is that?
Art fairs mean that the centre of the art world is now a very fluid thing.
London Art Fair, James Champion
For four days in January, it could be argued that London is the centre of the global market for contemporary art, thanks to the London Art Fair, open from January 21 to 25. But this wasn’t always so. Such…