A new exhibition at the Art Gallery of New South Wales shows the full breadth of Alphonse Mucha’s work and his commitment to the transformative power of art.
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Articles on Art Gallery of New South Wales
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This year’s Archibald Prize-winning painting by Laura Jones is of an angst-ridden Tim Winton, contemplating the degradation of our planet
Louise Bourgeois: Has the Day Invaded the Night or Has the Night Invaded the Day? is at the Art Gallery of New South Wales.
Vasily Kandinsky (1866-1944) was a pioneer of abstract art. His paintings have not aged and appear contemporary and relevant to us now.
Hoda Afshar is one of Australia’s most significant photo media artists. A Curve is a Broken Line at the Art Gallery of New South Wales is her first major survey exhibition.
This year’s Archibald and Wynne Prize winners show that a new generation of artists have now entered the mainstream.
The Archibald Prize and the Royal Easter Show have a great deal in common. Both are enjoyed by the general public, but the entrants in the competitions are very serious about winning.
Sydney Modern at the Art Gallery of New South Wales is a spectacular achievement – but going forward, funding is required for more than rammed earth, glass, bricks and mortar.
The ‘Sydney Modern expansion’ seems a fitting description of a building that effectively doubles the size of the Art Gallery of New South Wales.
Daniel Boyd’s solo exhibition Treasure Island, now at the Art Gallery of New South Wales, is a deeply political and personal interrogation of Australia’s colonial history.
Under the cloud of an election, this year’s Archibald prize is mercifully a politician-free zone. However the artists do have issues …
The once secret paintings of Hilma af Klint are a revelation both for their beauty and for highlighting the impact of spiritualism on how artists see the world.
In its centenary year, the Trustees of the Art Gallery of New South Wales could not resist the symbolism of awarding the Archibald Prize to Peter Werner’s portrait of the 100 year old Guy Warren.
It’s 100 years since the Art Gallery of NSW first held the Archibald Prize. Though loathed by some critics, it is an annual snapshot of the kind of society we are, and who our heroes might be.
For over 60 years, Daniel Thomas has shaped and extended our understanding of Australian art. Sometimes cheeky, always erudite, Thomas’s writings are collected in a new book.
A major new exhibition presents a nuanced view of Arthur Streeton who, in his lifetime, was praised as being the artist ‘who has shown us our land as no one else has done’.
Works by eight artists in the Dobell Drawing Biennial draw on dreams, history and reality. But drawing has escaped the gallery and will scribe on despite less government support for the arts.
For the first time in its 99 year-history, the Archibald Prize has been won by an Indigenous painter. The Wynne and Sulman Prize winners also signal a time of change.
Most years, the Archibald exhibition is worth viewing as an amusing exercise in social history. This year it is worth seeing for the art.
A new exhibition surveys the haunting Japanese traditions and beliefs that connect the supernatural with the everyday.
Top contributors
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Honorary Senior Fellow, School of Culture and Communication. Editor in chief, Design and Art of Australia Online, The University of Melbourne
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Adjunct Professor of Art History, Australian National University
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Adjunct Associate Professor, Monash University
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Emerita Professor, Art History and Curatorship, University of Adelaide
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Teaching staff, Art History, University of Sydney
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Lecturer and researcher in Plant Humanities, UNSW Sydney
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Senior Lecturer in French Studies, University of Sydney
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Lecturer in Illustration and Animation, University of South Australia
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Executive Dean of the Faculty of Arts and Social Sciences and Pro-Vice-Chancellor, University Schools, University of Sydney
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Associate Professor in Art History, The University of Melbourne
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Professor of Mobile Media and Games., RMIT University
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Professor Emeritus, Asian Art History, University of Sydney
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Lecturer - Visual Arts, University of Wollongong
