Our research team tracked the impact of Dark Emu, Bruce Pascoe’s bestseller, over five years. We measured its value across a range of criteria, from financial to environmental.
Making a book takes lots of brainstorming and writing, but there are many steps to printing it, too.
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Research shows reading books with diverse characters and story-lines helps children develop a greater understanding and appreciation of people different to themselves.
Rather than presenting a disability as an obstacle, life writing can explore the joys, frustrations and creativity of living with disability or Deafness.
Many important Australian books have found themselves out-of-print and hard-to-find. The Untapped project aims to change that, bringing classics to a library near you.
It is important that children sees themselves in the books that read.
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With hundreds of book covers displaying previously taboo swear words, are publishers losing the ability to shock readers?
Despite its rhetoric of innovation and experimentation, the indie-style imprint Strange Light is brought to us by a company that is already dominating the country’s literary space.
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Don’t be fooled by the ‘indie’ rhetoric surrounding the new imprint of Penguin Random House Canada, a multinational corporation. Only time will tell if it will do much for the diversification of Can-Lit.
An extraordinary tale: Dan Mallory.
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Despite dire predictions, bookstores are doing well: they are curators of taste and community hubs. But their challenges are many – from the arrival of Amazon Down Under to a ‘post-truth’ climate that devalues knowledge.