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‘It is difficult to convey the exhilaration that can be received from recognising elements of your own intimate life magnified on a cinema screen.’ Anatomy of a Love Seen screens at the Melbourne Queer Film Festival. MQFF

Give us better lesbians, please, and screens to watch them on

The curators of queer film festivals undertake a challenging task, assembling as best as possible a cinematic selection that reflects what is a very diverse community. Too often, lesbians are left out.
Many Australian films have significant cultural capital that should also be considered when measuring their level of success. Shutterstock

Speaking with: David Tiley on funding Australian films

Speaking with: David Tiley on funding Australian films. CC BY-ND23.2 MB (download)
Vincent O’Donnell speaks with David Tiley, editor of ScreenHub magazine, about financing film production in Australia and looking beyond box office numbers to measure a film's success.
New technologies are allowing us to understand far more about what we see when we watch a screen. Arthur Cruz

Gogglebox and beyond: lifting the lid on eye tracking research

What are we really looking at when we watch a screen? There's more to it than Gogglebox. Advances in eye-tracking technology are transforming how we understand film and TV spectatorship.
Alejandro G. Inarritu’s Birdman took home four awards, including Best Picture. Mike Blake/Reuters

Oscars 2015: expert reaction

Indies to the rescue, the quiet power of foreign language films, Gen-X's crowning moment. All – and more – are covered by our experts, who weigh in on this year's Oscars.
In American Sniper, Chris Kyle (Bradley Cooper) is the ‘sheepdog’ – someone who operates in a state of constant, anxious alertness against inevitable attack. Entertainment Weekly

At its core, American Sniper is about white fear

Many are decrying the film as merely conservative propaganda. But American Sniper – as with many of Eastwood's films – has a more nuanced approach that addresses modern anxieties.
Red Army tells the story of the Russian hockey dynasty of the 1980s and early 1990s, focusing on the story of defenseman Slava Fetisov (pictured top right). Variety

Red Army portrayal of Soviet hockey misses mark

Gabe Polsky’s documentary Red Army opens with the film’s main subject – former NHL and Soviet hockey great Viacheslav (Slava) Fetisov – giving the finger to Polsky while checking his phone. At the film’s…
Director Andrey Zvyagintsev and actors Vladimir Vdovichenkov and Elena Lyadova at the premier of the controversial film Leviathan. Sebastien Nogier/EPA

Russian film legislation is used to detract from more pressing issues

The Russian film world has been in some turmoil this week. First there was news that the government was to decree that films “defiling the national culture, posing a threat to national unity and undermining…
The movie Selma takes King – best known to Americans as an orator – and turns him into an organizer. Wikimedia Commons

How the movie Selma made MLK human again

It’s been almost 60 years since Martin Luther King, Jr. became a household name during the 1955-1956 Montgomery Bus Boycott, and some may find it astonishing that, until the recent release of Selma, he’s…
Michael Keaton in Birdman. 20th Century Fox

Birdman and the intoxicating alchemy of cinema

Birdman is awash with in-jokes, but laugh and then forget about them. And forget about the fact that Birdman is a backstage comedy set in a crappy 800-seat theatre in New York. Because this is really a…
In The Gambler, Mark Wahlberg portrays Jim Bennet, a bored literature professor whose gambling debts spiral out of control. POPSUGAR

In The Gambler, an anti-hero story is retold

“Life is a losing proposition,” explains Mark Wahlberg’s literature professor/compulsive gambler Jim Bennett. “You might as well get it over with.” Intent on doing just that, Bennett runs up massive debts…
Ridley Scott’s casting choices for Exodus: Gods and Kings are emblematic of a larger, systemic problem in the entertainment industry. Movie Pilot

Ridley Scott’s casting of white actors is symptomatic of larger problems

Director Ridley Scott recently set off a firestorm when he dismissed those who criticized him for casting white actors as every major character in the recently released Exodus: Gods and Kings, while reserving…
Cinema has always been about spectacle – it’s not yet walking dead. AAP/Marcus Walters, Gerrit Fokkema

TV’s golden age has freed cinema to do what it does best

At the opening night of the Victorian College of the Arts graduate film screening season this month, keynote speaker Clayton Jacobson (writer/director of Kenny, 2006) mentioned to the audience his belief…

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