Annie Ernaux is the first French woman to win the Nobel Prize for Literature. Her autofiction masterpiece, The Years, has been called a modern In Search of Lost Time.
The author of Shuggie Bain returns to the public housing schemes of 1980s working-class Glasgow to explore the redemptive power of secure love and the dangers of violent, dominating masculinity.
Eden Lakes’s monsters are a group of working class children.
TCD/Prod.DB / Alamy
A wave of new horror films leant into Tony Blair’s Asbo policy demonising young working class men, portraying them as the monsters that society should be scared of.
Australia likes to talk about itself as an egalitarian society but class, of course, exists. And it can have an impact on our romantic relationships, bringing both rewards and conflict.
Despite repeated pledges to improve diversity, data and industry testimony shows that there are fewer people from minority backgrounds getting jobs in the film and TV industries.
Asking Australians about their favourite art and artists reveals divides between those who like traditional versus contemporary forms. But Indigenous art transcends such categories.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne