AAP Image/Esther Linder
What should our museums collect from the sea of information and imagery to represent how Australians feel about the referendum?
Steven Yeun as Danny and Ali Wong as Amy in Beef.
Courtesy of Netflix
Through collector Jordan’s fetishistic interest in Asian women, Beef shows the troubling link between collecting artefacts and sexual control.
Cup and saucer commemorating the opening of Federal Parliament 1927.
National Museum of Australia
Following the crucifixion of Jesus, it was common for pilgrims to collect dirt and pebbles from Holy Land sites.
In our current context of rapidly improving technology, archives and museums must constantly make tough decisions about what to keep, what to refuse or even remove.
(Shutterstock)
Media coverage of the recent Dr. Seuss controversy are rooted in both a lack of awareness of the challenges and realities of maintaining collections and a false understanding of history.
Tony Albert Girramay/Yidinji/Kuku Yalanji peoples. Australia Qld/NSW b.1981.
Mid Century Modern (series) 2016
Pigment prints | 24 works: 100 x 100cm (each)
Collection: The artist. Courtesy: Sullivan+Strumpf, Sydney
Tony Albert reassembles items of ‘Aboriginalia’, featuring kitsch caricatures of Indigenous people, with wit, playfulness and serious intent.
Australian pulp fiction: these works can be read as a symptom, laying bare the unspoken fears, desires, dreams and nightmares of the time.
Author provided
Mid-20th century pulp fiction was trashy, tasteless, exploitative and lurid. There’s a lot there to love. You might read pulp as a cultural Freudian slip, loony bulletins from the collective Id.