South African creative and cultural industries have taken some early steps to elevate women to leadership positions, but there is still some way to go.
Michelangelo Antonioni’s The Passenger (1975), starring Jack Nicholson, explored time and memory. We look at a single scene, featuring one of the most influential camera moves of ‘70s cinema.
Can a Czech soldier justify assassinating a Nazi leader when he knows that it could lead to thousands of innocent citizens being murdered in revenge? If so, how?
Ghana’s Chale Wote festival’s main aim is to provide an alternative platform for the arts. It uses street arts to break creative boundaries and cultivate a wider audience for the arts in West Africa.
How the new film could inspire parents and children to head to the Lake District, to spend time canoeing, building campfires and reconnecting with nature.
With the success of films like The Dressmaker, book adaptations are giving a much needed boost to the Australian box office. So why are there so few? And why isn’t adaption a compulsory part of screen studies?
In less than a decade, most people won’t be able to play a VHS tape anymore. Let’s farewell the humble tape, and celebrate the archives finding their way to digitisation and YouTube.
My Scientology Movie avoids taking cheap shots at one of America’s most mockable religions; instead it is a fair, revealing (and sometimes funny) look at Scientology’s methods and leadership.
With #BlackLivesMatter and a never-ending list of African Americans being killed by police, the film ‘Do The Right Thing’ is even more relevant now than when it was released 27 years ago.
What makes a film a classic? In a new monthly column, film scholar Bruce Isaacs analyses a single sequence from a great film. Here, we look at a scene from Vertigo.
The Netflix series Stranger Things is a throwback to the glory days of cinematic horror. And as VHS disappears from our shelves, this show’s 80s-infused nostalgia is doubly poignant.
Janis Joplin was once voted the ‘Ugliest Man on Campus’. Sharon Jones was told she was ‘too old, too fat, too short, too black’ to succeed in music. Two documentaries chart the lives of these extraordinary women.