Are our interests shifting away from film and towards TV series? As media changes, is there even a difference between TV and film?
Deeyah Khan in White Right: Meeting the Enemy.
This selection of films shows the problem of extremism in its complexity, examining how real people can become radicalised.
Travis Fimmel and Jay Kiriona in Danger Close: The Battle of Long Tan (2019).
Jasin Boland - © Danger Close Production
A new Australian film tells the story of one of the most iconic battles of the Vietnam war - but the film repeats disputed facts and interpretations.
Roma director Alfonso Cuarón at the 2019 Golden Globe Foreign-Language Film Symposium.
Giving a movie subtitles or dubbing it into multiple languages makes commercial and cultural sense, but the process can be riddled with potential pitfalls.
Adam Goodes in The Australian Dream: in the film he talks of finding an identity in football and with The Sydney Swans.
Melbourne International Film Festival
A new film chronicling the impact of racism on Indigenous football star Adam Goodes is both a damning and hopeful portrait of contemporary Australia.
Martin Sheen in the original Apocalypse Now. A new director’s cut of the film is being released this week – but is this self-indulgence or part of the artistic process?
Francis Ford Coppola's 'final cut' of Apocalypse Now hits Australian cinemas this week. He joins a long list of directors who endlessly tinker with their work. But does it add anything to the films?
Anna Paquin and Holliday Grainger star in Tell it to the Bees.
There was an outcry in the LGBT community when the ending of Fiona Shaw's bestselling novel was changed for the film.
Actress Lashana Lynch, pictured here in Captain Marvel, is rumoured to be playing 007 in the next Bond film. The films, which have consistently relied on misogynistic tropes, are in need of an update.
Rumour has it British actress Lashana Lynch will play 007 in the next Bond film. If true, the move will be a welcome change to a franchise that has long remained the epitome of conservatism.
Buzz Aldrin on the moon.
NASA / Neil A. Armstrong
Conspiracy theorists claim NASA used the Apollo special camera to stage the moon landings in a studio and then slowed down the footage to make it look like there was less gravity.
The ‘gothic’ genre was once thought to be inapplicable to Australia. But there is a strong gothic tradition in Australian literature and film, seen in examples like Picnic at Hanging Rock.
Gothic texts are not all bloodsucking vampires and howling werewolves. An Australian Gothic tradition took root alongside colonisation, influencing writers from Marcus Clarke to Alexis Wright.
Tom Schilling as Kurt Barnert – a slightly blurred facsimile of the famous German artist Gerhard Richter – in Never Look Away.
Pergamon Film, Wiedemann & Berg Filmproduktion, Beta Cinema
Standing out among the crowd of recent artist biopics, the new film Never Look Away peels back some unhelpful tropes that have blinkered our understanding of the artist's process.
Kristen Bell, Idina Menzel, Josh Gad, and Jonathan Groff in Frozen II (2019).
Walt Disney Animation Studios, Walt Disney Pictures
Frozen smashed Disney stereotypes on its release in 2013. But six years later, its sequel will arrive in a very different cultural moment.
The French film School’s Out is a masterpiece.
Avenue B Productions, Canal+, OCS
A flawless French film, a Macedonian parable and a documentary following alt-right strategist Steve Bannon are three of the stand out films from this year's festival.
Aisling Franciosi in Jennifer Kent’s The Nightingale: perhaps the most interesting aspect of the film is the controversy surrounding the violence it depicts.
BRON Studios, Causeway Films, Creative Wealth Media Finance
As revenge films go, Australian writer-director Jennifer Kent’s The Nightingale is watchable if uninspired. Perhaps the most interesting aspect of the film is the controversy surrounding the violence it depicts.
Octavia Spencer is one of the few black women to have a lead role in a horror film.
For decades, black characters in horror movies were objects of ridicule, died first or played evil Voodoo practitioners. But now we're seeing a wave of films created by blacks and starring blacks.
World premiere of Godzilla: King of the Monsters at the TCL Chinese Theatre in Hollywood, California, on May 18 2019.
Godzilla might be radioactive and toxic but he's also a 'green' monster. As the latest 'King of the Monsters' film rampages across our screens, it's time to investigate his ecological credentials.
A still from the new film Godzilla: King of the Monsters, which opens this week. In a time of environmental destruction, Godzilla is the perfect monster to represent the consequences of humanity’s actions.
Popular monsters often reflect humanity's greatest fears. Godzilla, with its destructive rampages, is the foremost monster for our age of environmental threat.
An upcoming film will explore the origins of the Joker, last seen in the Batman franchise. But prequels are often poorly received – perhaps with good reason.
From the Joker to a Game of Thrones prequel, origin stories are increasingly common in film and TV – perhaps at the expense of originality in popular culture.
In the live-action ‘Aladdin,’ Mena Massoud stars Aladdin, while Will Smith plays the Genie.
Daniel Smith/Walt Disney Pictures
While the 2019 'Aladdin' is a big improvement from the 1992 version, it still recycles some old tropes.
Optimism is an essential part of our climate solution.
A new movie highlights the importance of radical hope and courageous action in responding to the climate crisis