Rear Window (1954)
Budding filmmakers needn’t let isolation stand in the way of their cinematic dreams. Here are five and a half ways you can make movie magic at home.
Are our interests shifting away from film and towards TV series? As media changes, is there even a difference between TV and film?
Annual 2010 zombie march in Madrid, an homage to George A. Romero.
AP Photo/Paul White
Romero’s ‘Night of the Living Dead’ and ‘Dawn of the Dead’ will be remembered among the first films to use horror as a form of political critique.
Brad Loree in Halloween: Resurrection (2002)
Spooky ghosts, rampaging rock gods, an escaped killer dressed as a clown: Halloween has inspired an array of creepy cinematic classics. Here’s our list of those to watch - and avoid.
Filmmaker Paul Cox pictured with actor David Wenham in 2012.
Editing a movie beside the late, great Paul Cox was like attending ‘a one on one’ film school. The growling auteur was a brilliantly stubborn man, who treated film with reverence and wore his heart on his sleeve.
Still from Goodfellas, 1990
Bruce Isaacs analyses two related but very different scenes: the famous Copacabana tracking shot from Goodfellas (1990) and the opening scene in Hugo (2011).
Still from Raging Bull, 1980
Bruce Isaacs looks at an intense and emotionally charged scene from the 1980 classic, Raging Bull.
Fans are not happy with the end of the Walking Dead season finale.
Spoiler warning for the season six finale of The Walking Dead. We talk point-of-view shots and the visual language of empathy.
A still from Mirrors of Bergman, a profoundly moving audio-visual essay.
Digital technology has transformed the work of cinema scholars, spawning a rich and poetic critical form.