From a young age, Neaera was trained for the life of a hetaira, or courtesan. Her tragic story comes to us only through court documents, but she deserves to be remembered.
Born in 1831, at a time when animals were widely regarded as property, Frances Levvy used the power of the press and the passion of children to advocate for their welfare.
She left Sydney Ladies’ College at 14 to marry an alcoholic future king. But the life of Queen Marau deserves to be written outside the shadow of her royal husband.
One of the most influential agricultural entomologists in history was an insatiably curious and fiercely independent woman named Eleanor Anne Ormerod. She never went to school - nor was she paid for her work.
When Flos Greig first entered law school, it was illegal for women to become lawyers. Undeterred, she lobbied for change and became the first woman admitted to the legal profession in Australia.
Denied an education in 1930s Australia because she was too black, Isabel Flick went on to fight segregation at her local cinema in the early 1960s. She became a powerful campaigner for Indigenous rights.
Ennigaldi-Nanna is largely unknown in the modern day. But in 530BC, this Mesopotamian priestess worked to arrange and label various artefacts in the world’s first museum.
Eliza Winstanley, who died of diabetes and exhaustion in Sydney in 1882, is largely forgotten. But as a leading artist on Australia’s earliest stages she deserves a prominent place in our theatrical histories.
Decades before most white Australian women were granted the right to vote, a businesswoman and single mother of four took to the polls and signed a ballot paper.
At her birth in 1901 she was registered with the name ‘girlie’, not really a name at all. But from this assigned anonymity, Hsieh Hsüeh-hung became a courageous and tenacious revolutionary.
Isabel Letham was one of the first Australians to ride the waves. After moving to the US in 1918, she became an epitome of the modern woman: economically independent, physically daring and unapologetically ambitious.
Maria Sibylla Merian’s meticulous observations laid the groundwork for the fields of entomology, animal behaviour and ecology. But the legacy of this scientific superhero has been sidelined by sexism.
Enheduanna’s name means ‘Ornament of Heaven’. She wrote hymns and myths more than 4000 years ago, studied the stars and yet is almost entirely unknown in the present day.
Adélaïde Labille-Guiard was a supremely skilled artist. But like so many talented women before and since, she suffered from snide allegations that she could not be capable of such brilliance.
Miss Fury was the first female superhero written and drawn by a woman. The comic in which she featured was syndicated in 100 newspapers but her creator has largely been excluded from the pantheon of comic greats.
Wildflower artist Kathleen McArthur led one of Australia’s first major conservation battles, over Queensland’s Cooloola region. Yet this canny activist is rarely mentioned in most accounts of the campaign.
The story of María invites us to consider how the powerless could assert personal autonomy in their lives and how we can hear traces of the voiceless in the archives.