The history of breastfeeding reveals uncomfortable truths about women, work and money.
Water Lilies by Claude Monet (1919).
Why modern science needs more Claude Monets.
Camille Pissarro, French (born in the Danish West Indies) 1830–1903. Spring pasture, 1889. Oil on canvas, 60.0 x 73.7 cm.
Museum of Fine Arts, Boston Deposited by the Trustees of the White Fund, Lawrence, Massachusetts Photography © Museum of Fine Arts, Boston. All Rights Reserved
The Museum of Fine Arts, Boston is the 14th largest gallery in the world, and now Melbourne can see some of its masterpieces.
Clara Southern, Australia 1860-1940, An old bee farm, c.1900. Oil on canvas, 69.1 × 112.4 cm.
National Gallery of Victoria, Melbourne, Felton Bequest, 1942
This exhibition will become the definitive show of Australian Impressionism - and it features talented women artists alongside iconic males.
Degas’ Women on a Café Terrace in the Evening (1877) depicts a group of prostitutes.
Hyperbole surrounds the Impressionists, who are perennial blockbuster fodder. In truth, they were not a united group of radicals and their subject matter is far darker than commonly acknowledged.
Detail from John Russell:
Almond tree in blossom c1887.
oil on gold ground on canvas on plywood 46.2 x 55.1 cm.
National Gallery of Victoria, Melbourne. The Joseph Brown Collection. Presented through the NGV Foundation by Dr Joseph Brown AO OBE, Honorary Life Benefactor, 2004 (2004.216)
John Russell, who was destined to become an engineer, instead became an artist in fin de siècle France – and a friend of Van Gogh, Monet and Rodin.
Paul Signac, France, 1863-1935, La bouée rouge (The red buoy), 1895, oil on canvas, 81.2 x 65 cm.
Musée d'Orsay, Paris, France ©photo Musée d'Orsay / rmn
The Impressionists were obsessed with the science of colour, which is celebrated in a new exhibition in Adelaide. At least 50 of the paintings have never previously been exhibited in Australia.
Debussy’s Clair de Lune belongs to the Impressionist movement, which included visual artists like Claude Monet.
Debussy’s Clair de Lune, meaning ‘moonlight’, is one of the most easily recognised pieces of music, but its origins are complex. The piece was influenced by poetry, Baroque music and the Impressionist movement.
Detail from Katsushika Hokusai, The great wave off Kanagawa (Kanagawa oki namiura), (1830–34), from the Thirty-six views of Mt Fuji (Fugaku-sanjū-rokkei)
National Gallery of Victoria, Melbourne Felton Bequest, 1909 (426-2)
Hokusai’s Great Wave is the enduring image of Japanese art. Less well known is the story of its primary pigment - Prussian blue - which was created in a lab accident in Berlin and sparked ‘blue fever’ in Europe.
The X-rays of the Australian Synchrotron reveal a remarkably clear picture of the woman’s face.
It took cutting edge technology and a collaboration between the Australian Synchrotron and the CSIRO to reveal the mysterious hidden lady in Degas’s famous painting.