Indigenous culture

Articles (1 - 20 of 35)

Nakkiah Lui asks why audiences are so willing to see Indigenous suffering onstage – but so unprepared to confront racism elsewhere in their lives. Brett Boardman/ Belvoir St

Western Sydney meets the city in Nakkiah Lui’s Kill the Messenger

Playwright Nakkiah Lui plays herself in Kill the Messenger, now on at Sydney's Belvoir Theatre. Hers is a strong, passionate and resilient Indigenous voice – and she has a message to deliver.
‘Non-Indigenous Australian’ is one of the most multicultural ethnic identities in human history. Leigh Griffiths

Non-Indigenous Australians have to reconcile their needs

We know there will soon be a referendum on recognising Australia’s original inhabitants in the constitution – so what’s at stake? The answer is crucial for the policy approach we now call Aboriginal Reconciliation…
Inuit women carrying their kids in traditional hooded parkas. Indigenous midwifery programs have expanded across Canada and are linked to excellent health outcomes. Spencer/Flickr

Birthing on Country could deliver healthier babies and communities

Tony Abbott spent most of this week in North East Arnhem Land, part of his long-held hope “to be not just the Prime Minister but the Prime Minister for Aboriginal Affairs”. In the final of our Abbott in…
Leader of the pack: Djalu Gurruwiwi of the Galpu clan leads younger performers at the 2013 Garma Festival in Arnhem Land. AAP Image/Youthu Yindi Foundation

Listen to your elders: inviting Aboriginal parents back to school

Tony Abbott is spending this week in North East Arnhem Land, part of his long-held hope “to be not just the Prime Minister but the Prime Minister for Aboriginal Affairs”. We asked our experts: what stories…
Djapana – sunset – at Bawaka in North-East Arnhem Land. Sarah Wright

Welcome to my Country: seeing the true beauty of life in Bawaka

Tony Abbott is spending this week in North East Arnhem Land, part of his long-held hope “to be not just the Prime Minister but the Prime Minister for Aboriginal Affairs”. We asked our experts: what stories…
In The Boys Home, artist Zanny Begg worked with boys in juvenile detention. This image is from a project titled Rooms. Photo documentation by Alex Wisser. The Boys Home

The Boys Home: making art in a juvenile detention centre

I entered the secretive world of a maximum-security prison for children in Sydney’s Western suburbs for four months earlier this year. My passport into this highly restrictive world was an artist residency…
Aboriginal people are confident of their good traditional governance practices. yaruman5

Indigenous Australia in the era of ‘good governance’

Northern Australia is by no means exempt from the constant buzz around governance which has been a feature of Australian public life for the last decade. That’s particularly so in the area of Indigenous…
Gavin Jones, the founder of the Deadly Awards, in 2011. Paul Miller/AAP Image

Gavin Jones – may he rest in peace and his legacy live on

Like many of us I am still in shock regarding news of the passing on the weekend of Deadly Vibe founder Gavin Jones at the age of 47. Launched in 1995 the magazine and media company had, in my opinion…
Brave New Clan presents the “X-factor” us mob see among ourselves all the time to a wider audience. Foxtel 2014

Indigenous Australia is deadly – and Leah Purcell shows it

Urban skyline, as seen from inside a medium-density apartment block, opens Australian director Leah Purcell’s Who We Are: Brave New Clan (2014), which was broadcast on Foxtel’s Bio Channel last night…
Without ceremony, the lives of many Aboriginal Australians would be greatly impoverished. Rusty Stewart

Aboriginal ceremonies are not ‘bullshit’

Tarmac gives way to dirt on the road out to ceremony, where more than a hundred participants from Australia’s eastern states will gather over a public holiday long weekend for the serious business of performing…
Are Australian policymakers trapped in a monolingual mindset? Katie Tegtmeyer

Muting Indigenous language support only widens the gap

Indigenous languages are under attack yet again. The federal budget, released on May 13, includes a substantial reduction of A$9.5 million over four years for the Indigenous Languages Support Programme…
Lily Hargreaves Nungarrayi, 2013, Wardilyka Jukurrpa (Bush Turkey, Ardeotis Australis Dreaming) synthetic polymer paint on canvas, 200.0 x 300.0 cm. © the artist, courtesy of Warnayaka Art Centre Lajamanu, and Vivien Anderson Gallery Melbourne

Clever women: three Warlpiri artists, now in Melbourne

This unconventional review of an exhibition, Jinjilngali, Kurlukuku Minpiya, Yirdingali, now on show at the Vivien Anderson Gallery in Melbourne, also constitutes a tribute to three Warlpiri women artists…
Carly Sheppard is performing in Melbourne as part of Next Wave. Gregory Lorenzutti

White Face – some notes from a fair-skinned Aboriginal

Carly Sheppard’s latest work, White Face playing as part of Melbourne’s Next Wave festival this week, is a contemporary performance addressing personal experiences as a fair-skinned Aboriginal person based…
Australian Indigenous performance traditions are a unique expression of what it is to be human. Tali Caspi

We’ve lost 98% of Indigenous music traditions – who cares?

Australian Indigenous performance traditions, among the oldest in the world, are also among the most endangered. According to a Statement on Indigenous Australian Music and Dance endorsed in 2011 by the…
Nura Rupert, Australia, c.1933. Pitjantjatjara people, South Australia, Mamu (Spooky spirits) 2006, Ernabella, South Australia, synthetic polymer paint on linen 92x122cm. Ed and Sue Tweddell Fund for South Australian Contemporary Art 2006. Art Gallery of South Australia, Adelaide © Nura Rupert, courtesy of Ernabella Arts

‘Dreamings’ and place – Aboriginal monsters and their meanings

A rich inventory of monstrous figures exists throughout Aboriginal Australia. The specific form that their wickedness takes depends to a considerable extent on their location. In the Australian Central…
Aboriginal Mimi ‘trickster’ spirits are genderless. Making Camp at 'Forest, Cunningham's Gap, 1856', 2009, pigmented inks on 310gsm Huhnemuble German Etching Paper, edition of 5, 29.5 x 42 cm (paper size). Courtesy of the artist, Troy-Anthony Baylis

The art of seeing Aboriginal Australia’s queer potential

Since European contact Aboriginal people, such as myself, have been constructed as “straight”. This cultural default has contributed to the difficulty of proving so-called “real accounts” of sexual and…
Desert Designs showcase their unique aesthetic in Sydney this week. Ryan Kitching

A hot new model at the Australian Indigenous Fashion Week

It’s not difficult to find reference to Indigenous ethnographic designs in contemporary Australia. Motifs from Adelaide’s Balarinji Design Studios coat Qantas' Boeing fleet and elders wore Victorian possum…
Screen Shot at PM.

The Crux of the issue with a new Australian flag

Recently on The Conversation, military historian John Blaxand put forward a design proposal for a new Australian flag. This was in light of a call by New Zealand Prime Minister John Key for a “post-colonial…

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