As Islamic geometric patterns and arabesque designs have migrated globally, they’ve been adapted, and may not even be recognized as bearing the influence of Islamic societies.
From magic bowls to holy shirts, Muslim cultures used various devices to protect the user from harm starting in the 11th century. Many of these objects were beautifully designed, too.
No god but God at the Art Gallery of South Australia looks at over 1000 years of Islamic art, from Indonesia to Spain. It is a magnificent and necessary exhibition.
Those opposed to the building of new mosques don’t recognise their long history here, or potential to support Australian ideals. Mosques are part of our suburban landscape and can help overcome fears about Islam.
Islamic art in Australia is inaccessible and largely overlooked. It is rarely taught as a dedicated subject in Australian universities, and almost never seen beyond state capitals. Why?
Doctoral Candidate (Oriental Studies - Islamic Art and Archaeology), University of Oxford; Curatorial Researcher, Nicholson Collection, Chau Chak Wing Museum, University of Sydney