20 years on from Who’s Afraid of the Working Class? In Anthem, the Melbourne public transportation system behaves as a microcosm of larger political tensions and anxieties.
A feast for the senses reminiscent of an all-night rave or the film Bladerunner, Chamber Made’s new work Diaspora bathes the audience with broad spectrum frequencies of light and sound.
Bryoni Trezise considers questions at the core of Back To Back Theatre’s new work: why are we sitting in this theatre? What do we hope will happen? And who, really, are we?