A memorial to Coretta Scott and Martin Luther King Jr. has received stinging criticisms, but time will tell whether ‘The Embrace’ will endure as a cherished work of public art.
A candlelit vigil for murdered 16-year-old Brianna Ghey in Manchester.
Adam Vaughan/EPA
Across Australia, there are memorials to white people ‘killed by Natives’. But there is a silence about what led to these attacks, or the reprisal massacres that typically followed.
An artist’s impression of Gan Siyobonga memorial park in Israel.
Supplied by author
Spain has long avoided addressing the fact that tens of thousands of Spaniards were victims of Nazis, who collaborated with Spain’s former dictator, Francisco Franco.
The Obelisk, adorned with communist star, was torn down in Riga, Latvia.
Ints Vikmanis/Alamy
A scholar of Greek classics revisits the texts to bring lessons on how to honor the lives lost to the COVID-19 pandemic.
An art installation by Suzanne Brennan Firstenberg in remembrance of Americans who have died of COVID-19, near the Washington Monument in Washington, D.C.
AP Photo/Brynn Anderson
Many countries revere soldiers who have given their lives for their country. What is special about Ukraine’s memorialising is the depth of respect for individual citizens.
Yom HaShoah is a day to commemorate the murder of 6 million Jews – but also their lives. Yizker bikher books lovingly document Jewish communities across Europe.
Crosses in honor of fallen Marines stand atop a hill near Camp Pendleton, California.
Katrina Finkelstein
As the one-year anniversary of the World Health Organization’s declaration of a pandemic approaches, it might be time to consider how our modern age wants to remember this plague.
City cemeteries are fast running out of space, so researchers surveyed Australians and found many were quite open to the alternatives to traditional burials.
Artwork ‘Melly Shum Hates Her Job’ by Ken Lum hangs in the Witte de Withstraat district in Rotterdam, The Netherlands, shown May 2008.
(Ken Lum/Wikimedia Commons)
A Rotterdam art centre removed its colonial-era name and is renaming itself ‘The Kunstinstituut Melly,’ to honour the city’s 30-year love affair with Ken Lum’s iconic work.
Artist Joi T. Arcand explains ‘Never Surrender,’ ‘translates a …1980s Canadian pop song into the Cree language and recontextualiz[es] the lyrics as an anthem of Indigenous sovereignty.’ Here, the image layered over a photo of a Winnipeg sidewalk.
(Noor)
Both the COVID-19 pandemic and urgent debates around public heritage and monuments shape how Nuit Blanche Toronto is seeking to engage artists and viewers in remapping cities.