Guests at the V.I.P Opening Feast, Eat The Problem.
Mona/Jesse Hunniford Image Courtesy MONA Museum of Old and New Art, Hobart, Tasmania, Australia
A new exhibition and book urging us to eat invasive species are beautiful but come across as little more than an exquisitely designed elitist spectacle.
Youth dance troupe Stompin performed their thought-provoking work Nowhere as part of this year’s Ten Days on the Island.
Jacob Collings, Lusy Productions
Despite the diversity of art and performance on display at the tenth Ten Days on the Island festival, key themes emerge: life, death, and Tasmania's colonial history.
Most of MONA’s interstate visitors go to the museum without stopping in the nearby suburbs.
MONA could encourage more low-income visitors by making entry free for all concession card owners.
‘The shape of things to come’, installation view at Buxton Contemporary, the University of Melbourne, March 2018.
Photograph by Christian Capurro.
Philanthropists are creating new galleries to share their private collections with the Australian public. But these gifts do not ameliorate the deficit left by declining government arts fundings.
Mezzo soprano Eve Klein performed two compositions while a medical laryngoscope, inserted into her throat, revealed the movement of her vocal chords.
Listeners often describe the music presented at Tasmania's Mofo festival as 'weird'. But to do so sells the experience short.
Chris Levine’s iy_project at Hobart’s Dark Mofo.
Dark Mofo/Lusy Productions, 2017 Image Courtesy Dark Mofo, Hobart, Tasmania, Australia
Hobart's Dark Mofo deals with plenty of challenging subjects but seeing it with a child can highlight the wonder of intuitively experiencing art.
Untitled (all), Hans-Jörg Georgi, 2010–15, Courtesy of The Museum of Everything.
Moorilla Gallery, Courtesy of Atelier Goldstein and The Museum of Everything (installation by Lutz Pillong)
MONA's latest exhibition draws on the work of people - patients, housewives, hermits - who were compelled to create, raising age-old questions about how we define art.
Hobart’s Museum of Old and New Art: a must-see tourist destination, but for whom?
The acclaimed Museum of Old and New Art is located in one of Tasmania's most disadvantaged municipalities. But new research has found that locals have mixed feelings about the gallery.
One of Hermann Nitsch’s previous works, the Orgies Mysteries Theatre in Italy, 2015.
There is a history of mistreatment of animals in the name of art. But isn’t it about time artists made their point about human domination without themselves asserting dominance over beasts?
You can ‘walk’ through the Musée d’Orsay in Paris using the Google Arts & Culture platform.
Google Arts & Culture
Do you fancy a virtual stroll through the Musee D'Orsay or printing your very own Vermeer? Technology is transforming museums in a myriad of ways.
Static No. 12 (seek stillness in movement), 2009–10.
©Daniel Crooks. Courtesy of the artist and Anna Schwartz Gallery
A new exhibition at MONA, curated by scientists, explores the biological and evolutionary origins of art. The show is spectacular - but it offers an overwhelmingly male perspective.
Visitors take in Cameron Robbins’ Field Lines at the Museum of Old and New Art.
Hobart's winter festival explores darkness, storms and the very nature of the universe, with artwork performed in an asylum; echoing the elements and conceived while on a residency at Geneva's Centre for Nuclear Research.
The work, while personal, forms a lasting sense of introspection for the spectator as well.
Image courtesy of Dark Mofo
This collection of Marina Abramović’s works from 1975 to the present isn’t a retrospective. It offers a chance to consider the supremely artist-centric art as something separate to its creator.
So cold it’s hot … The Winter Feast crowd fan the flames at Dark MOFO 2014.
MONA/Rémi Chauvin Image Courtesy MONA Museum of Old and New Art,
We're not short on festivals in Australia, so new events need to make their presence felt. What's the secret of Dark Mofo, which is about to enjoy its third outing?
Future Hobart is an enticement to think laterally about pragmatic issues of city design.
At Dark MOFO last week, the City of Hobart joined forces with the Museum of Old and New Art (MONA) to commission New York artist/ landscape architect Vito Acconci to create an architectural prototype for…
The “intangible benefits” of arts are absent from the policy documents of the three main parties.
(Mural by Hobart artist Robert O'Connor). petahopkins
This Saturday’s Tasmanian election is the first since Hobart’s Museum of Old and New Art (MONA) opened on January 21 2011, and it’s no surprise that the creative arts and industries have featured heavily…
The Museum of Old and New Art isn’t the be-all and end-all.
Another article about Hobart popped up in my Facebook feed recently. Writing about MONA (Museum of Old and New Art), the author used the all-too-familiar phrase: “Tasmania’s cultural renaissance.” “The…
The Museum of Old and New Art (MONA) is at the heart of Hobart’s cultural transformation.
A column of light shines from Hobart’s Queen’s Domain, where Japanese artist Ryoji Ikeda’s Spectra reaches up to the looming clouds, visible across the city. The normally empty streets are crowded, the…
Provocative artworks, such as Wim Delvoye’s Cloaca, have drawn a steady stream of tourists to multi-billionaire David Walsh’s Museum of Old and New Art in Hobart.
It was March last year when I sat down in the chaotic New York office of a leading international tax attorney to conduct an interview for a book I was writing on the campaign against tax havens. But rather…