The Chichu Art Museum, on the Japanese island of Naoshima, is a breathtaking place to rethink the relationship between nature and people.
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Articles on MONA
Displaying 1 - 20 of 23 articles
Spanish artist Santiago Sierra’s request for the blood of First Nations’ people in a now cancelled artwork prompted widespread disgust. We need Black curators who work from community standpoints.
While big and small events on the 2021 arts calendar are still shifting or disappearing altogether, a sharper local focus could save the day.
Mona’s new subterranean extension adds a compelling dimension to the art of Dark Mofo 2019. Upstairs, a series of interactive sculptures contemplates our automated future.
A new exhibition and book urging us to eat invasive species are beautiful but come across as little more than an exquisitely designed elitist spectacle.
Despite the diversity of art and performance on display at the tenth Ten Days on the Island festival, key themes emerge: life, death, and Tasmania’s colonial history.
MONA could encourage more low-income visitors by making entry free for all concession card owners.
Philanthropists are creating new galleries to share their private collections with the Australian public. But these gifts do not ameliorate the deficit left by declining government arts fundings.
Listeners often describe the music presented at Tasmania’s Mofo festival as ‘weird’. But to do so sells the experience short.
Hobart’s Dark Mofo deals with plenty of challenging subjects but seeing it with a child can highlight the wonder of intuitively experiencing art.
MONA’s latest exhibition draws on the work of people - patients, housewives, hermits - who were compelled to create, raising age-old questions about how we define art.
The acclaimed Museum of Old and New Art is located in one of Tasmania’s most disadvantaged municipalities. But new research has found that locals have mixed feelings about the gallery.
There is a history of mistreatment of animals in the name of art. But isn’t it about time artists made their point about human domination without themselves asserting dominance over beasts?
Do you fancy a virtual stroll through the Musee D'Orsay or printing your very own Vermeer? Technology is transforming museums in a myriad of ways.
A new exhibition at MONA, curated by scientists, explores the biological and evolutionary origins of art. The show is spectacular - but it offers an overwhelmingly male perspective.
Hobart’s winter festival explores darkness, storms and the very nature of the universe, with artwork performed in an asylum; echoing the elements and conceived while on a residency at Geneva’s Centre for Nuclear Research.
This collection of Marina Abramović’s works from 1975 to the present isn’t a retrospective. It offers a chance to consider the supremely artist-centric art as something separate to its creator.
We’re not short on festivals in Australia, so new events need to make their presence felt. What’s the secret of Dark Mofo, which is about to enjoy its third outing?
At Dark MOFO last week, the City of Hobart joined forces with the Museum of Old and New Art (MONA) to commission New York artist/ landscape architect Vito Acconci to create an architectural prototype for…
This Saturday’s Tasmanian election is the first since Hobart’s Museum of Old and New Art (MONA) opened on January 21 2011, and it’s no surprise that the creative arts and industries have featured heavily…
Top contributors
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Lecturer in Interdisciplinary Creative Practice, University of Tasmania
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University of Tasmania
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Lecturer - School of Art, RMIT University
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Lecturer, University of Tasmania
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Senior Lecturer in Human Geography and Planning, University of Tasmania
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Senior Lecturer in Philosophy, Western Sydney University
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Professor of Political Science; Director, Institute for the Study of Social Change, University of Tasmania
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Professor of Cultural Economy, University of South Australia
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Professor of Creative Arts, Griffith University
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Honorary Professor, Edith Cowan University
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Lecturer, School of Architecture and Design, University of Tasmania
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Professor and Head of English, University of Tasmania
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Associate Dean, The University of Melbourne
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Lecturer, The University of Queensland
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Lecturer in Piano, School of Music, Australian National University
