So many of our artistic geniuses have complicated legacies. What do we do with work we love by artists whose behaviour is more difficult to admire?
Monsters and spirits –including ‘tsukumogami,’ which are made of everyday objects – in the ‘Hyakki-Yagyō-Emaki’ scroll, painted between the 14th and 16th centuries.
Wikimedia Commons
Shinto and Buddhist ideas about interconnectedness have deeply influenced Japan, shaping centuries-old rituals and stories whose impact continues today.
A 12th-century commentary on the Book of Job shows Satan transmitting a disease to him.
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The field of ‘monster studies’ looks at how texts reflect ideas about what’s evil, weird or scary.
The Essex Serpent follows Cora as her science comes in conflict with the religious and superstitious beliefs of the locals in the Essex village of Aldwinter.
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In myths and songs, Hairypeople were understood as human-like but uncivilised. Different responses to them in two Warlpiri communities show how colonisation has changed these monsters too.
Hollywood has picked a winner, but what does the science say?
Courtesy of Warner Bros Entertainment
Kiersten Formoso, USC Dornsife College of Letters, Arts and Sciences
Hollywood loves a good monster battle, and where better to turn for inspiration than the animal kingdom? Traits from real animals can provide clues about the fighting prowess of Kong and Godzilla.
A rabid dog’s bite can make a person seem to have animal characteristics.
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Fear of a disease that seemed to turn people into beasts might have inspired belief in supernatural beings that live on in today’s creepy Halloween costumes.
‘Frankenstein’ is traditionally read as a critique of science — but also portrays many forms of imprisonment.
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In the project Erasing Frankenstein, students, educators and incarcerated women collaborated to created an erasure poem of Mary Shelley’s classic text, and publicly showcase their work.
How do you solve a problem like Godzilla? It’s not too tricky to work out if you are a mathematician…
A still from the new film Godzilla: King of the Monsters, which opens this week. In a time of environmental destruction, Godzilla is the perfect monster to represent the consequences of humanity’s actions.
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Popular monsters often reflect humanity’s greatest fears. Godzilla, with its destructive rampages, is the foremost monster for our age of environmental threat.
The Tanami desert in central Australia is haunted by beings called the jarnpa, which look like people but possess superhuman powers.
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The earliest surviving example of man-to-wolf transformation is found in The Epic of Gilgamesh, from around 2,100 BC. But the werewolf as we now know it first appeared in ancient Greece and Rome.
The statue of Christopher Columbus in Columbus Circle, New York City.
Zoltan Tarlacz/Shutterstock.com
Peter C. Mancall, USC Dornsife College of Letters, Arts and Sciences
Christopher Columbus’ 1492 voyage was really a journey into the unknown. Centuries of conventional wisdom had conditioned him to believe that bizarre beasts and ‘monstrous men’ would be awaiting him.
We’re gonna need an even bigger boat.
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Even if mermaids aren’t real, they’ll likely feature in human stories for many years to come. Very few mythical creatures are found in so many diverse cultures, across so many years without changing.
A restaurant in Bishopville, S.C. markets the town’s association to the Lizard Man.
Joseph P. Laycock
The Shape of Water is an entertaining movie, but it also has a timely, allegorical message about the challenges we may face with new scientific discoveries, and our willingness to accept difference.