Gwyneth Paltrow’s new Netflix series, The Goop Lab, raises serious questions about the spread of health misinformation as well as the conflict of interest the show represents.
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‘EastSiders’ avoids the political histories and conflicts that haunt LGBTQ+ worlds — but homophobia and HIV/AIDS have not been eradicated.
The latest version of the Gothic vampire chiller is brought to you with the trademark humour of writers Steven Moffat and Mark Gatiss.
The new Netflix film Two Popes focuses on the different outlooks of Popes Benedict and Francis.
For all its fart jokes and sight gags, ‘The Good Place’ belongs to a venerable philosophical and theological tradition.
Netflix’s competitors are multiplying, and they’re ambitious. After Amazon Prime Video, Apple TV+, and a dozen others, Disney+ has lauched, and Netflix is clearly in the crossehairs.
Although some have dubbed the flurry of new video services coming out as a ‘streaming war,’ the reality is very different.
With big theatre chains refusing to show Martin Scorsese’s new big budget mob movie, the future of cinema is looking a little dimmer.
Giants like Disney and NBCUniversal have been locked in the horns of a business problem known as the innovator’s dilemma.
A first look at the new series of The Crown finds a changing of the guard, with a fresh cast. Increasingly, in this series, the public hold Elizabeth and the royal family more accountable.
Nicky Morgan recently hinted at changes to the BBC’s funding model. But can the UK’s public broadcaster compete with the likes of Netflix?
An increasing amount of the BBC’s content comes via collaborations with international production houses.
Sky’s true crime channel is feeding a ‘desktop detective’ culture.
Movie studios are launching their own streaming apps but record labels aren’t about to do the same.
Since ‘Friends’ premiered 25 years ago, both the television industry and the sitcom genre have undergone huge transformations.
Even though a Crave produced film has become the first ever Canadian documentary to open TIFF, video streaming services like Netflix raises challenges for filmmakers looking for domestic audiences.
Are our interests shifting away from film and towards TV series? As media changes, is there even a difference between TV and film?
Giving a movie subtitles or dubbing it into multiple languages makes commercial and cultural sense, but the process can be riddled with potential pitfalls.
Netflix may be inching closer to becoming a “local” media company, with an increased presence in our small but profitable national market. Will this lead to more locally-made content?
More than a third of Australians say they would prioritise a subscription for a video streaming service, such as Netflix, over a subscription for online news.
Top contributors
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Senior lecturer in Screen Media, Victoria University
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Professor of Media Studies, Queensland University of Technology
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Professor of Film and Screen Studies, University of Portsmouth
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Lecturer in Communications and Media, University of Notre Dame Australia
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Associate Professor, School of Media and Communication, RMIT University
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Senior Lecturer in Writing, Literature and Culture, Deakin University
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Researcher, Queensland University of Technology
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Dennis Altman is a Friend of The Conversation.
VC Fellow, La Trobe University
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Associate Professor of English, Flinders University
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Senior Lecturer in Media, RMIT University
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Associate Professor, University of the Sunshine Coast
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ARC DECRA Senior Research Fellow in Sex & Sexuality, La Trobe University
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Associate Professor in Cinema Studies, RMIT University
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Senior Lecturer, University of the Sunshine Coast
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Senior Lecturer in Screen Studies, University of South Australia
