Case analysis of Hermès and its four strengths: a real identity, the creativity and skills of its artisans, innovation, and the fact that it remains an independent family company.
‘Damenkneipe,’ or ‘Ladies’ Saloon,’ painted by Rudolf Schlichter in 1923. In 1937, many of his paintings were destroyed by the Nazis as ‘degenerate art.’
The 1920s and early ‘30's looked like the beginning of the end for centuries of gay intolerance. Then came fascism and the Nazis.
A stroll through Sydney’s Marks Park and the nearby tourist attraction Sculptures by the Sea is a different experience if one knows the area’s brutal history.
Leah-Anne Thompson from www.shutterstock.com
Garret Martin, American University School of International Service
Emmanuel Macron may have won the presidential election, but his agenda could fail if his party doesn't get a majority in Parliament.
Parisians gather at the Bataclan nightclub on November 13, 2016, to commemorate the one-year anniversary of terror attacks that took 130 lives across Paris.
Philippe Wojazer/Reuters
Colleen Murrell speaks to The Daily Beast's Christopher Dickey about living in and reporting from Paris in the wake of a wave of terror attacks in the last two years.
Christian Mouhanna, Université de Versailles Saint-Quentin en Yvelines – Université Paris-Saclay
Governments' continual use of security forces to 'keep order' in low-income and minority neighborhoods masks their inability find solutions other than force.
Chelsea Johnson, University of Southern California – Dornsife College of Letters, Arts and Sciences
Natural hair has become a political rallying point for women across the African diaspora. For these women, wearing natural hair is way to resist Eurocentric norms and "post-racial" political thought.
Some Gallic goals might cheer up the French, but they certainly won't save Hollande.
David Gulpilil as Jagamarra Jurunba, Mark Weaver as Bellyup, Dougie McCale as George and Cameron Wallaby as Pete in Satellite Boy.
A Satellite Films production Photo by Matt Nettheim SAB
Lecturer, Creative Writing and Literary Studies, School of Media, Entertainment and Creative Arts, Creative Industries Faculty, Queensland University of Technology