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Articles on Sydney Festival

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When Indigenous elder Binno (played by William McPherson) teaches dances to three young men, a bigger plan emerges. Christopher Woe

Black Drop Effect review: infusing the present moment with layers of the past

The world premiere of Nardi Simpson’s Black Drop Effect takes in the complex histories of Aboriginal responses to commemoration, and makes space for protest, cultural reclamation and negotiation.
One Infinity is a cross-cultural collaboration produced by Playking Productions and Jun Tian Fang. Gregory Lorenzutti

One Infinity explores tension and connection between China and the West

One Infinity is a music and dance collaboration about crossing cultures and breaking boundaries. The performance celebrates differences without attempting to resolve them.
Cherish Violet Blood as Lila in Deer Woman, playing at this year’s Sydney Festival. Prudence Upton

Deer Woman is a work of immense power and artistry

Deer Woman, written, directed, designed, composed, stage managed and performed by First Nations artists from Canada, is anchored by a solo performance of fierce skill, focus and precision.
Soprano Jane Sheldon in La Passion de Simone. Kaija Saariaho’s work had its Australian premiere at the 2019 Sydney Festival, performed by the Sydney Chamber Opera. Victor Frankowski

La Passion de Simone brings Simone Weil’s sufferings to life, but the movements feel static

The Australian premiere of La Passion de Simone uses multiple voices to tell a story about philosopher Simone Weil. But the work lacks the emotional drama of its subject’s life.
Dan Sultan played a defiant version of Midnight Oil’s The Dead Heart at 1967: Music in the Key of Yes. Prudence Upton

Celebrating the songs of Australia’s civil rights movement

From My Island Home to Treaty, Indigenous musical luminaries gathered in Sydney on Tuesday to sing classic songs marking the fiftieth anniversary of the 1967 referendum.

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