As more people find themselves in poverty, the play’s mix of fictional story with real-life testimony powerfully tells the story of what it’s like to navigate the benefits system in the UK.
Without the First Folio, the canon of Shakespeare’s plays would have decisively shifted.
Could arts and culture become a new ‘bread basket’ export? This is one of four scenarios the Future Prairie Theatre research team explored.
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Amid ecological and social change and economic instability, theatre artists in Saskatchewan, Alberta and Manitoba are mapping possible outcomes and goals.
Erving Goffman’s The Presentation of Self in Everyday Life is a ‘bible’ for scholars, voted a top 10 book of the 20th century. It also fascinated general readers, as a guide to social manners.
The scene is set for the feast at Sicilia in The Globe’s production of The Winter’s Tale.
Tristram Kenton
Shakespeare’s Conrad is now an ambitious ‘story producer’. With an eye over all the ‘Nothing Island’ action, he seeds rumours that bloom into reality TV gold.
Calls to decolonise curricula overlook the many ways in which Shakespeare’s plays are constantly being reinterpreted and revitalised in performance.
Readers reports, scripts and selected photographs. From top left Garland Anderson, Una Marson and Isabel Cooley who appeared in the ethnic Players Theatre Guild productions of Anna Lucasta.
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I’m happy again: A pandemic-induced move to virtual music theatre presents a paradigm shift for the genre, yet reveals surprising benefits in facilitating new access to music in community.
In this play, RBG discusses her most famous cases and her conversations with three of the presidents who served during her 27-year term on the US Supreme Court.
New prime minister, Rishi Sunak, is the latest to take on the leading role in this unravelling Shakespearean drama.
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Shakespeare often portrayed crises of legitimacy and reflected on the politics of his day but the Tories might not fare so well in a modern production.
The Ngakau Toa theatre company at the Globe to Globe international Shakespeare theatre festival in London, 2012.
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Behind the recent row over money for a school Shakespeare festival lies the bigger problem of theatre funding in general. Establishing a genuine national theatre could be the solution.